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'Quebec City' is an extract from Ralph's novel, 'American Dream' which can be ordered by clicking the image

 


Ralph Lopez was born in the most God-forsaken part of Texas but happily his family moved right away. After they were blown about the country by his father's career he somehow wound up at Yale, where he drank, chased women, and read everything but what was assigned. Home now is mostly Cambridge, Massachusetts USA. Ma, Pa and the family home are in New Mexico. A ritual for Ralph is re-reading long passages of Mark Twain every couple of years, especially "The Adventures of Huckleberry Finn," from which, as Hemingway said, all American literature springs. Like Huck Ralph seems to have trouble with social conventions, like holding down a steady job, and has decided some people are just born no damn good that way and so you may as well "go the whole hog." He'll do anything from roofing to writing grant proposals to support his writing habit. Like Huck he’s fine with going to hell as at least he'll be with all his friends, and not lonesome in the other place.


RALPH'S LITERARY INFLUENCES:


RUSSELL BANKS

"Peels away layers of emotion like an onion, and whose humor can bring you to riotous laughter even in the midst of something very grim. Favorites by him are 'Rule of the Bone' and 'Affliction.'"

Click image for a profile of Banks on the January Magazine website; for a biography of Banks on the HarperCollins website, click here; for Cynthia Joyce's Salon.com interview with Banks, click here; to read an extract from 'Rule of the Bone,' click here; for an extract from 'Affliction,' click here or to order books by Banks on Amazon, click here


HUNTER S. THOMPSON

"The famous doctor of philosophy, gonzo journalism, and in-your-face truth-telling"

Click image to read a short excerpt from his recent 'Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century'; for the Salon.com interview with Thompson, click here; to visit The Great Thompson Hunt website, click here; to visit the King of Gonzo website, click here; for an interview with Thompson on The Atlantic Unbound website, click here or to order books by Thompson on Amazon, click here


JAMES WELCH

"I love the American Indian writer James Welch, especially ‘Winter in the Blood'"

Click image for an interview with Welch on the csindy website; to read an extract from 'Winter in the Blood' on Amazon, click here; for a biog of Welch on The Hundred Most Influencial Montanan's of the Century website, click here; for an annotated bibliography of Welch on the Dancing Badger site, click here; for Cindy Heidemman's interview with Welch on the PNBA website, click here or to order books by Banks on Amazon, click here


A FEW OF RALPH'S FAVOURITE THINGS:


1. Anything with garlic and olive oil

2. Bookstore cafes

3. Sleeping late and working at night

4. Lectures by Noam Chomsky

5. Desert heat

6. The movie "The Thin Red Line," loosely based on the James Jones novel, and the greatest (anti) war film ever made - ORDER





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QUEBEC CITY
by Ralph Lopez








Sunday, late afternoon. My biographer and I are reading the newspapers and taking in the Central Square wildlife. Our vantage point: a sidewalk café, on the first really warm day of spring. Last winter was almost a throwback to old-time New England winters, when snowdrifts topped stop signs and you could walk past your own brother on the other side of a snow wall and never even know it. The score so far: one fender-bender, one bum fight, a dude on a three-wheeled bicycle who wails like a siren as he rides, a few knock-out women, and one ugly dog. Pug or some damn thing. My biographer sips his coffee and turns his face to the sun. Our table offers the best possible exposure to passing automobile fumes. I turn the page of my newspaper.

"Here comes Mickey," I alert him.

"I don't care. There's no scene for him to wreck."

Right. Mickey is the most desperate in our single older dude, no-girlfriend crowd. He hasn't had a woman in ten years.

"One time man, I swear, I’m at Park Street Station and I’m having a great conversation with a girl I’d just met, and he’s standing outside and he sees me. And when I pretend not to see him he starts hollering my name, and when I ignore him he runs over and starts blabbering. And she takes off before I can even get her phone number. I was sooo pissed."

My biographer turns to catch the sun evenly, eyes closed.

"He just changed the whole dynamic," he mutters.

My biographer is a tall, lanky dude. Women like him, but he can be a bit short with them if he thinks they are stupid. Or anyone for that matter. I tell him he must control this if we’re to improve our social lives. Find out where the parties are, mingle with a better class of woman. If you don't like one, maybe she has a friend. Just relax. That's the ticket.

"I really liked that Miriam last night."

He’s talking about the post-doc from Northeastern we met at an art reception, who was with a friend.

"She's really smart and fun," he mumbles, half dozing.

Which is fine, but for one thing: Miriam was mine. The other girl was his. I approached Miriam and we hit it right off. I can see it will come, someday, to a mano-a-mano between he and I. Ah, well, that is life. May the best man win. An Indian named Cochise will toss us each a knife under the broiling desert sun, and he’ll say to each of us: You understand, white man? And we will say: Yes, Cochise, we understand.

But I can’t kill him yet, I have need of this man. Today we must prepare him for his foray into the field. Mickster walks up. He starts right in.

"Just came from church, met a girl and we were talking for a long time afterward. We walked together to Park Street and when I ask her for her e-mail, she says: naw, I get enough junk e-mail already."

My biographer and I laugh but Mickey isn't laughing. He stands in that nervous way of his, hands jammed into the pockets of his denim jacket, sort of rocking back and forth, talking too fast, tripping over his tongue.

"Hey man you're in my sun."

Mickey shifts over, away from my biographer.

"Isn't that mean? And she goes to church! A church-goer!"

I’ve tried to help him. But he has a desperation women can smell. He’s tried everything, church, personal ads, singles dances. Futile. He has been on a thousand dates, all dead ends. He’s in his forties and his style is this corny Sixties thing. An "End Sanctions on Iraq" button, retro John Lennon glasses, and corduroy pants that are too short. Flooders.

"What's wrong with me guys? What am I doing wrong?"

That's what you do wrong, Mickey, you talk too much. But mindful of his good qualities I remain silent. All he wants is a girlfriend. Poor bastard.

"Mickey did you ever join that gym?" I’m only trying to be helpful. Mickey has a big beer gut. Which is kind of unfair, because he doesn't even drink. All the drawbacks and none of the pleasure. I’ve been trying to tell him, as tactfully as I can, that women don’t want to hook-up with a guy with a big beer gut. It’s just not a turn-on. He’s balding and does this comb-forward thing with his hair, which is better than a comb-over, I guess, but not by much. In another of his stories a woman tells him his bangs are crooked. He ignores the hint about the beer gut this time.

"What gets me isn't the rejection, guys, well yea that gets me too, but why are they so mean about it?"

It's true. Some people have a "kick me" sign forever pasted onto their asses. Mickey is one of these people. I’m hoping he has something to do. I know my biographer considers him a downer.

"I could be feeling fine, and by the time I’m done talking to him, I'm always depressed," he told me. I used to feel the same way, but lately I’m more amused than annoyed by Mickey. He’s my on-the-spot, front-line, in-the-trenches witness to another bloody battleground, the battle of Love in the New Millennium. As in war, he has seen things no man should ever see. Last week he got a walk-by. He explained what this is.

Walk-by: you make a date through the Internet, neither of you has seen the other. Not in person. Maybe a picture. She says meet her someplace like the Bon Pain in Harvard Square, someplace open and neutral. She says stand or sit near the front door, what color coat do you have, all that. At the appointed time you sense someone looking at you, eyes circling at a distance. Discreetly. Checking you out.

And if they don't like what they see, they keep walking.

"A walk-by. Personal ads, singles chat rooms. Happens all the time."

"Like a low-level pass from a reconnaissance plane," I said.

"Right. Like a drive-by shooting. But it's a walk-by shooting, straight through the heart. A walk-by."

An idiot in a Camry hits his brakes and lays skid at the intersection. Probably tailgating while talking on a cellphone, the yuppie swine. We all glance over but there’s no thunk! of impact. Nothing this time.

Today Mickey has an agenda, thank heavens. He’s off to meet a woman-friend for coffee. She keeps him on-call, to fill short, unaccounted-for slots of time, between really important dates. He allows the indignity, so he gets no sympathy from me. They tell him flat-out they’re not interested, not that way. He knows he has a craven, disgusting desire for any female company he can get. He knows he is a fool. He bids farewell and hurries on. Good. There is business to attend to. A woman walking a little yapper dog passes by, the dog’s little legs a blur of motion.

"That's no dog dammit, why doesn't she get a real dog? Like a Nepalese Ridgeback Hound? Or a Giant Schnauzer?"

"Courageous dogs, Schnauzers," my biographer answers, "Ridgebacks too."

"Must cost a fortune keeping that thing alive," I say, "she wants a big dog, not a little dog."

My biographer dons his leather jacket, bought second-hand after his last one got ripped-off at a Rainbow Gathering. The air has freshened a bit. It may be a cold night yet.

"That's about the right size for a Rottweiler snack. A tidbit," he says.

He adjusts his chair to the shifting sun. I study the huge, gray Mausoleum-style post office across the street, about right for its function, to convey permanence and state authority. On the other hand, the wrought iron bars over the windows give it a bit of the county jail look. Apt, perhaps. There is no authority without punishment? The state-as-jail? Jail of the mind? I push this aside, to ponder later. I would put the question to my biographer, but this line of thought could badly sidetrack him right now.

"What about the camera?" I am scanning my mental checklist. A bandana soaked in white vinegar will be about all he can bring for the teargas, goggles are out of the question at the border search. Loose, thick clothing will soften the impact of rubber bullets. A little.

"Better to buy it once I'm in. Any cheap 35 millimeter disposable will do. A camera at the Canadian border might tip them off. They could deny me entrance."

"Good thinking. That's just the sort of thing those bastards will be on the look-out for."

Those Nazis will be pulling clothes out of travel bags, throwing them to the ground, heavy psych intimidation, checking every zippered pocket on every duffel bag that reaches that striped crossing gate for two weeks.

Oh ho what have we here, well looky looky here, a camera. Gonna take pictures BOY what was you gonna to take pictures of? What do you think you are, some kind of ARTISTE? Tell you what BOY, this here is a sub-ver-sive cam-ee-ra, so how about you turn around and haul-ass home! We're stamping your passport NEIN!

And they would. Unbeknownst to the rest of the world outside the Movement, the cops can do anything they want, especially when it comes to security operations for the Trust. All people suspected of having an opinion will be turned back at the border. They did it for Prague. And they are doing it for Quebec City.

Long hair huh? Sorry buddy, you look like trouble. You all go, they'll say, pointing to a nice Christian-looking couple. Have a nice trip, hear? YOU stay. He points. Then they stamp your passport persona non grata, so it's no use to try your luck at a different crossing. Of course, if you’re a known rabble-rouser, say there’s a picture of you holding a banner or a megaphone at the Battle of Seattle, two years ago, they have already been looking for you. There is no way you will get into Canada.

The hair we anticipate. After a visit to Collage Hair Styles next door he’s the picture of a fine young man. Still, my biographer, at six four and with green, wolf-like eyes, draws attention anywhere. This is a disadvantage. We need him to be a midget with a perpetually cowed expression and a halting, uncertain gait. But there is no solution for this.

Or is there? I’ve been drilling him to look at the ground submissively while his bags are checked, like a beat-down peasant in El Salvador before a jackbooted jefe at a roadblock. Si señor no señor, gracias señor gracias. He’s a difficult pupil, groveling not being his forte. If his ugly temper gets the best of him, the mission will be blown.

"How about a press pass? What newspaper you want to be from?" He actually does write for a newspaper, a small one, but may as well be creative.

"If a camera will keep me out, a press pass definitely will, you idiot."

"Maybe, but once inside the country, it might get you into the conference center. To report from the inside! What a coup!"

This one could cut both ways. In the end he nixes the press pass. It’s his call, his ass on the line. We could make a nice one on a computer in about ten minutes, laminate it, but we stick to the original plan of passing him off as an ordinary jerk-off in every respect. Nothing to call attention. Once the shit hits the fan, it’s unlikely a press pass will help anyway. It will be every man for himself.

Holly walks past our sidewalk table and sings out a hello to me. I met her on the Hill, where they put me on my present bouquet of happy pills. I think she likes me, but I’m afraid of her. Another woman walks talking to no one in particular. Let's face it. This is Central Square, Mental Square, Cambridge. People talk to themselves here. It’s humbling to think that so many people must have more interesting conversations with themselves than they think they would have with me.

Why are we doing it? Because globalization is the World War II of our generation, street action our risk. Not real bullets, true. No risk compared to what dad or old grandpa had to face. But our job just the same.

When there’s a job to do, an American soldier just does it. I shall remember this line for my next address to the men.

I consider, briefly, resigning my commission and starting my war all over again, as a member of the Black Bloc. Our elite battalion. The foremost experts in civil disobedience tactics. Street combat. Because the cops will attack first. Some say the Black Bloc is infiltrated with undercover cops. This is a murky world.

A la Colonel Kurtz, Conrad, Heart of Darkness, all that. Just quit being a general and go to paratrooper school and eventually go off to become crazy in the jungle. But not before having maximum impact. I ask my biographer what he knows about joining the Black Bloc. Where do you submit your papers?

"Forget it man, you're too old. You gotta be able to hop on this table here from a standstill."

I eye the table. A good three feet up. Agile.

"They're mostly kids," he says.

"In D.C. I saw four of them, the cops had them trapped up in a statue. They had just draped it with a banner. Four guys, and they jumped off that statue, all at once, right over the cops’ heads! In four different directions." With his thumbs and pinkies extended he shoots his hands apart over his head, showing how the jumpers scattered.

"The cops chased but they hit the ground running, got lost in the crowd. If I had a camera I’d be sitting on a Pulitzer right now. Damn."

Washington D.C., April 14, IMF/World Bank, an historic day for the human species. The People now stretching and yawning but well on their way toward Wakefulness. The shots fired at the Battle of Seattle having been heard around the world. He examines something on the back of his hand. Probably a fur patch that will begin to expand as he transforms into his werewolf state. I wonder who his victim will be. Some poor asshole in a rowdy bar he draws into making a wisecrack about his white, slouch, country dufus-looking cowboy hat. Which he wears expressly for this purpose.

"Ignorant assholes. Preppy fucks. Like they got a right to make a comment about my hat," he’ll say.

My biographer hails from El Paso. He doesn't understand these people.

Finally he heads to his night job, some overnight counselor gig at a halfway house. He doesn't like to hang around waste cases on his own time, but he has a curious natural sympathy for them. In America, you set yourself up with a Section Eight apartment and a disability check, for being a drunk-slash-substance abuser, and you’re all set. Meanwhile people on the street who are really crazy, too crazy to get help, never get it. It's a great country. About half the people on the street need real help. And about half just need a swift kick in the ass. That’s what one friend of mine says, anyway, a woman on the streets for a couple of years but who pulled herself up, the hard way.

I head back inside the coffee shop. It’s a bit chilly again. This is the time of year you are sweating in Bermuda shorts one minute and freezing your balls off the next. An Asian chick I’ve been pining for stands just outside the doorway, smiling and talking into a cellphone, tormenting me deliberately with evidence of her rich social life, from which I am utterly excluded. My last two attempts at striking up a conversation having fallen flat.

I could go for a big sausage-and-egg grinder, sub, hero, hoagie, whatever you call it, depending on which side of the Mason-Dixon line you’re on. The music in the coffee shop has gone from the most excellent Bob Marley to garbage can lids again.

Instead I go to Sari’s Falafel Kingdom, a tiny mom-and-pop falafel sandwich shop, where I can get a falafel sandwich with extra tahini sauce, to go. As I open the glass door and walk in, Sari, the owner, looks up and says, "Amigo!" Like always I answer back "Sadiq!" -- the Arabic word for "friend," which he taught me. I place my order, pay, and wave good-bye. I go across the street to the community television station, where they have a public computer room. I want to check my mail.

Damn that Mickey.

One night, at his house, he showed me these horny loser websites. He does them all the time, makes dates that way. I sat scrolling through pictures, morbid fascination urging me on.

"Hey how's about this one!" I say.

"That's bait, Wheatgrass Man. That’s someone else’s picture, and if you respond you get directed to a phone sex site, or some kind of barely legal prostitution. The rule is, if it looks too good to be true, it p-p-p-probably is."

Finally he sucked me into answering an ad from a dame up in Marblehead. Looks great from the picture. Forty two. Her name is Tammi, at least that's what it says:

“I like adventure, working out, sports, music, the arts, philosophy, romance, reading, writing and reaching for the stars. My male friends think I'm sexy and mysterious, my female friends think I'm loyal and elegant. I'm not afraid to fight for the underdog. And I like peace and love and all that jazz.”

All that jazz? I read on:

“Looking for someone in excellent shape, handsome and rugged, with a working brain. Someone with rhythm! Dangerous on the outside and a real gem on the inside.”

Hot damn! Now here I am, wasting time, valuable time away from the Movement, checking this stupid e-mail. All Mickey's fault. I click open my "mailbox." There’s a message back from "Tammi":

“Demi-god and poet? Can one bank on those assertions?”

Jesus, I forgot. To answer an ad, you have to create one, so you can have a "mail box" and a code. I was just goofing, wrote the first silly thing that came to mind. All of one line. Now I write back:

“Why do men think you’re mysterious? The sexy part I can see. Maybe the demi-god poet stuff was a bit exaggerated, but at the least I am a Renaissance man.”

I look around the computer room, self-conscious. I hope no one sees me doing this.

It’s time for me to head to my own job, telephone fundraising for various do-gooder organizations like Ban World Hunger and Save the Baby Penguins and such. It pays the bills. During my break I telephone Miriam, the Northeastern graduate student from the art reception last night. She acts kind of funny, not all that friendly. Maybe she senses that I was confusing her for someone else, drunk as I was. I didn't like her that much anyway.

© Ralph Lopez
Reproduced with permission




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