Paul Houghton writing showcase on the official website of writer, Laura Hird <link rel="canonical" href="http://www.laurahird.com/showcase/paulhoughton2.html"><body><div style="text-align: center;"><a href="https://uk-sobs.org.uk/" style="padding: 5px 10px;">Casino Sites Not On Gamstop</a><a href="https://energypost.eu/" style="padding: 5px 10px;">Non Gamstop Casino Sites UK</a><a href="https://www.colofonrevistaliteraria.com/" style="padding: 5px 10px;">Casino Online Sin Licencia</a><a href="https://www.itspa.org.uk/" style="padding: 5px 10px;">Best Slot Sites For Winning UK</a><a href="https://www.actualite-de-la-formation.fr/" style="padding: 5px 10px;">Meilleur Casino En Ligne 2025</a></div> <table width="100%" table border="0" cellspacing="3" cellpadding="3"> <tr> <td width="30%" valign="top" bgcolor="FFCC66"> <font size="2" font="Times New Roman"><br> </font><center><script>  </script> <table width="100%" table border="2" cellspacing="3" cellpadding="3"> <tr> <td width="20%" valign="top" bgcolor="FFCC66"> <font size="2" font="Times New Roman"> </font><center> <form action="/" method="post"><select name="choice" size="1" onchange="jump(this.form)"> <option value="http://www.laurahird.com/aboutme.html">About Me</option> <option value="http://www.laurahird.com/artists.html">Artists</option> <option value="http://www.laurahird.com/books.html">Books & Stuff</option> <option value="http://www.laurahird.com/competition.html">Competition</option> <option value="http://www.laurahird.com/contactme.html">Contact Me</option> <option value="http://www.laurahird.com/diary.html">Diary</option> <option value="http://www.laurahird.com/events.html">Events</option> <option value="http://www.laurahird.com/FAQs.html">FAQ's</option> <option value="http://www.laurahird.com/filmprofiles.html">Film Profiles</option> <option value="http://www.laurahird.com/filmreviews.html">Film Reviews</option> <option value="http://www.laurahird.com/frankspage.html">Frank's Page</option> <option value="http://www.laurahird.com/heroes.html">Heroes</option> <option value="http://www.laurahird.com/index.html">Index</option> <option value="http://http://www.laurahird.com/links.html">Links</option> <option value="http://www.laurahird.com/litmagcentral">Lit Mag Central</option> <option value="http://www.laurahird.com/newreview/newreview.html">The New Review</option> <option value="http://www.laurahird.com/newstuff.html">New Stuff</option> <option value="http://www.laurahird.com/projects.html">Projects</option> <option value="http://www.laurahird.com/publications.html">Publications</option> <option value="http://www.laurahird.com/recipes.html">Recipes</option> <option value="http://www.laurahird.com/samples.html">Samples</option> <option value="http://www.laurahird.com/sarahsancestors.html">Sarah’s Ancestors</option> <option value="http://www.laurahird.com/saveourshortstory.html">Save Our Short Story</option> <option value="http://www.laurahird.com/showcase.html">Showcase</option> <option value="http://www.laurahird.com/sitemap.html">Site Map</option> <option value="http://www.laurahird.com/tynie.html">Tynie Talk</option> </select></form> <font face="Arial, Helvetica, Verdana, Sans Serif"><b></b></font><center>  <font color="red"> <h1>laurahird.com</h1><p><img src="../Images/IndexImages/laura.jpg" width="106" height="126"></p><p><br><i><h2>SHOWCASE</h2></i></p></font><br><hr> <font face="Arial, Helvetica, Verdana, Sans Serif" size="2"> <font face="Arial, Helvetica, Verdana, Sans Serif" size="4"><br> <img src="../Images/showcaseimages/paul.jpg" width="110" height="158" border="2"><br> <br> <font face="Arial, Helvetica, Verdana, Sans Serif" size="2"> <h2><font color="red">PAUL'S INFLUENCES</font></h2></font><hr> <a href="http://www.diamandagalas.com/"><img src="../images/P/B00002432G.02.MZZZZZZZ.jpg" width="85" height="85" border="2" align="left"></a><font color="blue"><b>DIAMANDA GALAS</b></font><br>For me, singer/musician Diamanda Galas is the ultimate living artist in any medium - technically brilliant, artistically uncompromising, uncommercial - sublime. You have to beware of the pretentious drivel that's been written about her and hear her live for the full experience. To read Peter Murphy's interview with Galas on The New review section of this site, click <a href="/">here</a>; visit the Diamanda @ Brainwashed website here; read two interviews with Diamanda here or view here recordings and listen to sound clips on Amazon <a href="http://www.amazon.co.uk/exec/obidos/ASIN/B0000061GZ/laurahirdcom-21">here</a><hr> <img src="../images/P/0571201571.02.LZZZZZZZ.jpg" width="63" height="100" border="2" align="right"><font color="blue"><b>JOHN CASSAVETES</b></font><br>His glorious 'home movies' have all the texture and substance of great novels. Humour, honesty, cruelty and compassion in work that is simply about humanity. See any film of his you can. Two favourites are 'Love Streams' and 'Opening Night.' Much funnier than Woody Allen but every bit as intense as Bergman. For a critical analysis of Cassavetes' work, click image; for excerpts and selected passages from Ray Carney's writing about 'Love Streams,' 'Opening Night' and Cassavetes other films, click <a href="http://people.bu.edu/rcarney/cassavetes/">here</a>; to read about Cassavetes on the excellent Art and Culture Network, click here; for Cassavetes documentaries, click here or for film availability on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/B00004CM1G/laurahirdcom-21">here</a><hr> <font color="blue"><b>TRUMAN CAPOTE</b></font><br><br>The most exquisite prose stylist of the 20th century. From his wonderfully strange short stories to his great short novels and razor sharp journalism. Peerless. The Capote Reader is my bible. To read about Capote on American Masters website, click title; for a short profile of Capote on Bohemian Ink, click <a href="http://www.levity.com/corduroy/capote.htm">here</a>; for Ansonia Design's beautiful monochrome tribute to Capote, click here; or, for 'A Capote Reader' on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0141185309/laurahirdcom-21">here</a><hr> <img src="../images/P/0340857382.01.MZZZZZZZ.jpg" width="65" height="100" border="2" align="right"><font color="blue"><b>ANGELA CARTER</b></font><br>What a loss. Almost single handedly she raised (British) women's fiction from its quagmire of domestic servility. The short stories in The Bloody Chamber and The Black Venus are her best works. See especially The Fall River Axe Murders. No wonder she walked around with her nose in the air! Like Capote, sheer genius. Click image for the unofficial Angela Carter website; for essays on Carter and her work on The Modern World site, click here; to read 'The Fall River Axe Murders,' click here; or to view Carter's books on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0141185309/laurahirdcom-21">here</a><hr> <img src="../images/P/157806516X.01.LZZZZZZZ.jpg" width="67" height="100" border="2" align="left"><font color="blue"><b>BRIAN DE PALMA</b></font><br>A misunderstood magnificent doomed Romantic! An innocent caught up in voyeurism and corruption is always his central motif. See 'Phantom of the Paradise' for a biting parody of the rock industry, 'Blow Out' for political shenanigans, 'Obsession' for catholic dreams. Click image for the official Brian De Palma website; for the unofficial Brian De Palma website, click <a href="http://www.angelfire.com/de/palma/">here</a>; to watch the trailer for De Palma's latest film 'Femme Fatale,' click <a href="http://www.femmefatalethemovie.com/">here</a>; or for De Palma DVD's on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/B000063BMH/laurahirdcom-21">here</a><hr> <font color="blue"><b>MARY GAITSKILL</b><br></font><br>Lorrie Moore? Forget it! Mary Gaitskill is the goddess of the contemporary american short story. Excoriating, hilarious and provocative, Because They Wanted To is the best short story collection in years. Obsession is the mainspring of all her fiction which manages to be greatly entertaining and disturbing. Not to be missed. One of her earlier stories was recently cheesed out for the film Secretary. Click title to read an extract from 'Because They Wanted To'; to read an interview with Gaitskill on The Write Stuff site, click <a href="http://www.altx.com/int2/mary.gaitskill.html">here</a>; to read stories and reviews by Gaitskill on the Talk.com website, click here; or to view her books on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0684841444/laurahirdcom-21">here</a><hr> <a href="http://www.daisy.co.uk/sites/dory/"><img src="../images/P/B000007VW9.02.LZZZZZZZ.jpg" width="85" height="85" border="2" align="left"></a><font color="blue"><b>DORY PREVIN</b></font><br>I first discovered Dory Previn in a public library during the last throes of punk which she's as far from as you can get. But so what if she sounds like Doris Day on LSD? She's the best and most original lyricist ever. Who else could write about God as a cheating boss in a Las Vegas casino or the final flight of the Hindenburg as her father's betrayal? Fantastic. Click image for James Miller's Dory Previn site; to read lyrics from Dory Previn's 'On My Way To Where,' click here; to visit Previn's Love Song To A Monster website, click here; for her lyrics transcription of her new anti-war medley, Planet Blue, click here for a concise web biog of Previn on the VH1 website, click here or to view listen to sound clips on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/B0000011PL/laurahirdcom-21">here</a><hr> <img src="../images/P/0521378036.01.MZZZZZZZ.jpg" width="65" height="100" border="2" align="right"><font color="blue"><b>ROBERT LOWELL</b></font><br>Surely the best poet of the 20th century. Does he need any introduction? Click image for to read about Robert Lowell on the Modern American Poetry site; to read Lowell's poem, 'Father's Bedroom,' click <a href="http://www.lit.kobe-u.ac.jp/~hishika/lowell.htm">here</a>; for biography, bibliography and selected poetry by Lowell on the Poetry Exhibits website, click here; or to view available books on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0571065104/laurahirdcom-21">here</a><hr> <a href="http://www.contemporarywriters.com/authors/?p=auth64"><font color="blue"><b>SHENA MACKAY</b></font></a><br></font><br>An alchemist who turns the drab ordinary into the rich fantastic. Phenomenal observations, stunning metaphors; the most subtle and poetically exquisite of comic writers. Her best work is in her short stories. Click title for biography and bibliography on the British Council's Contemporary Writers site; for reviews and excerpts on the Slainte site,' click here; for portrait of Mackay on the Write Stuff website click here; or to view available books on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0349100373/laurahirdcom-21">here</a><hr> <a href="http://www.salon.com/audio/2001/03/27/lasdun/"><img src="../images/P/0099428350.02.LZZZZZZZ.jpg" width="65" height="100" border="2" align="right"></a><font color="blue"><b>JAMES LASDUN</b></font><br>Little known God of the contemporary short story. See collections The Silver Age and Three Evenings. Like Carter and Mackay, he's a concise 'maximalist', fixing the unfixable feeling and place in jeweled prose. Who needs miniamilism when you can write like this? However, his first novel is disappointingly academic. Click image to hear Lasdun read from his story, 'Snow,' on the Salon.com website; for profile on the New York State Writers' Institute website, click here; for a biography and bibliography of Lasdun, click here; or to view his short story collection on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0224023160/laurahirdcom-21">here</a><hr> <font color="blue"><b>NICHOLAS ROEG</b><br></font><br>Click title for a profile of director Roeg on the Art and Culture Network website; to read about his last film, 'The Sound of Claudia Schiffer' click <a href="http://www.sospeso.com/contents/composers_artists/roeg.html">here</a>; for a critical analysis of Roeg and his work by Lee Hill on the Senses of Cinema site, click here; to read Gerald Peary's interview with Roeg, click <a href="http://www.geraldpeary.com/interviews/pqr/roeg.html">here</a>here; or for the DVD of his classic film 'Don't Look Down' on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/B00006FN5V/laurahirdcom-21">here</a><hr> <a href="http://www.ibiblio.org/wm/paint/auth/friedrich/"><font color="blue"><b>CASPAR DAVID FREIDRICH</b></font></a></font><br>Click image to read about the artist and view his paintings on the Web Museum France website; to view image of Caspar David Freidrich's painting "Landscape with Rainbow, Flock of Sheep and Shepherd," click <a href="../xp/cgov/newsroom/image_library/archives/schwartzburg_castle/rainbow.xm">here</a>; for an excellent tribute page to the artist including many images, click <a href="http://www.geocities.com/Area51/2229/Friedrich.html">here</a> or for a biography on the Art and Architecture website, click here<hr> <font color="blue"><b>VINCENT PRICE</b></font><br><br>Click title to visit the Vincent Price Film Site; for the Vincent Price Exhibit site, full of images of the actor, click <a href="http://www.angelfire.com/film/rdsquires/">here</a>; for biography on the House of Horrors website, click <a href="http://www.houseofhorrors.com/price.htm">here</a>; for the official Hammer Horror website, click <a href="http://www.hammerfilms.com/">here</a> or for Price's films on DVD on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/B00005NCZC/laurahirdcom-21">here</a><hr> <font color="blue"><b>PATRICK McGRATH</b></font><br><br>For short biography and reviews of McGrath's books on the Literary Moose website, click <a href="http://www.literarymoose.info/literature/mcgrath.html">here</a>; for a review of McGrath's novel 'Spider' on the Literal Mind website, click <a href="http://literalmind.com/literalmind/content/review4.asp?book=142">here</a>; to read Gerald Houghton's review of McGrath's novel, 'Martha Peake,' click here or for books by Patrick McGrath on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0140157999/laurahirdcom-21">here</a><hr> <a href="http://books.guardian.co.uk/authors/author/0,5917,-108,00.html"><img src="../images/P/0099755017.02.LZZZZZZZ.jpg" width="65" height="100" border="2" align="left"></a><font color="blue"><b>IAN McEWAN</b></font><br>Click image to read biography and reviews of Ian McEwan's books on the Guardian website; for Ian McEwan's official website, click <a href="http://www.ianmcewan.com/">here</a>; to read an interview with McEwan on Salon.com, click here; for Bold Type interview with McEwan, click <a href="http://www.randomhouse.com/boldtype/0398/mcewan/interview.html">here</a> or for his wonderful short story collection, 'First Love Last Rites' on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/0099754819/laurahirdcom-21">here</a><hr> <a href="http://observer.guardian.co.uk/life/story/0,6903,521920,00.html"><img src="../images/P/B00005NOT5.02.LZZZZZZZ.jpg" width="85" height="85" border="2" align="right"></a><font color="blue"><b>MARIANNE FAITHFULL</b></font><br>Click image to read Lynn Barber's interview with Marianne Faithfull on the Guardian Unlimited website; for short profile and reviews of Faithfull's records on Rolling Stone website, click here; to read 'My Fifteen Minutes,' Faithfull's profile of Andy Warhol, click <a href="http://www.guardian.co.uk/warhol/story/0,11478,645154,00.html">here</a>; for profile of Faithfull on the Swinging Chicks website, click <a href="http://www.swinginchicks.com/marianne_faithfull.htm">here</a> or to listen to soundclips from her classic album, 'Broken English' on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/B000001FSP/laurahirdcom-21">here</a><hr> <a href="http://www.artcyclopedia.com/artists/hanson_duane.html"><img src="../images/P/3775790934.02.LZZZZZZZ.jpg" width="76" height="95" border="2" align="left"></a><font color="blue"><b>DUANE HANSON</b></font><br>Click image for links to galleries exhibiting photorealist sculptor, Hanson's work on Artcyclopedia website; to read about Hanson's work on the Paul Springs Desert Museum website, click <a href="http://www.tfaoi.com/aa/2aa/2aa206.htm">here</a>; for details and images from a recent retrospective of Hanson's work in Edinburgh, click here; to read more about Hanson's Archetypes of Humanity, click here or for 'More Than Reality' - a book of images of Hanson's figures on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/3775790934/laurahirdcom-21">here</a><hr> <img src="../images/P/B00006AW4J.02.LZZZZZZZ.jpg" width="90" height="88" border="2" align="right"><font color="blue"><b>PUERTO MUERTO</b></font><br>The fabulous musical duo Puerto Muerto are another of my great loves. Obviously influenced by the likes of Tom Waits, Marianne Faithfull and Dory Previn what's not to like?! For a review of their album, 'See You in Hell' on the Venus Zine website, click image; for a review of the album on the Almost Cool website, click <a href="http://www.almostcool.org/mr/p/p89mu.html">here</a>; for a review of the album, 'Your Bloated Corpse Has Washed Ashore,' click <a href="http://www.almostcool.org/mr/p/p59mu.html">here</a> or for related items on Amazon, click <a href="http://www.amazon.co.uk/exec/obidos/ASIN/B00006AW4J/laurahirdcom-21">here</a><hr> <br> <a href="http://htmlgear.lycos.com/specs/guest.html"></a><br> <a target="_NEW" href="http://htmlgear.lycos.com/guest/control.guest?u=laurahird&i=1&a=view"><font face="arial,helv,helvetica,sans serif" size="-2">View My Guestbook</font></a><br> <a target="_NEW" href="http://htmlgear.lycos.com/guest/control.guest?u=laurahird&i=1&a=sign"><font face="arial,helv,helvetica,sans serif" size="-2">Sign My Guestbook</font></a><p></p><hr><br>  <script type="text/javascript" language="JavaScript">var site="s15angeltrev"</script> <script type="text/javascript" language="JavaScript1.2" src="../js/counter_site-s15angeltrev.js"> </script> <noscript> <img src="../meter.asp-site-s15angeltrev.jpg" alt="Site Meter" border="0"> </noscript>  </center><p> </p><td width="70%" valign="top" bgcolor="FFCC66"> <font size="3" font="Times New Roman"><br><br></font><center><font color="maroon">To read Paul's new showcased story, 'Projection,' click <a href="../showcase/paulhoughton.html">here</a></font></center><p><br><br> </p><center><font color="red"><h3> <b> 'THE HOUSE AT THE EDGE OF THE WORLD'<br>by Paul Houghton</b></h3></font></center><br><p><br></p><blockquote><center> <i> Her eyes are dark<br> Her skin is light<br> She has red hair<br> Her house is white <br></i></center><p> There she is again - singing to me through that hole in the hedge. And she’s a voice like you'd never believe, tuneful as a nightingale when she wants. Wandering around the garden in an army overcoat over nightie and wellingtons, she’s sporting the regulation teacosy-hat they all wear next door. In the garden: a stack of wooden crates, a half- inflated Space Hopper, a rusty bicycle with one wheel, a length of rope and enough empty bottles for a winery. That’s nothing compared to the house with its yellowing newspapers piled in the windows. An enormous weed grows out of its chimney, and the crack down the side wall is wide enough now - I shudder at the thought - for rats to pass through.</p><p> 'OY! OY! YOW OL BITCH!' She's screeching now, having changed her tune.</p><p> 'Very nice Christine,' I say. 'That's just charming, by the way.'</p><p> 'YOW FUCK OFF IN YON OWN OUSE, Y'OL BITCH!' She growls.</p><p> I do what I'm told because it's the only thing that quietens her down. I go into the house, put on Mahler rather loudly and pretend none of it bothers me. I know she doesn't mean what she says - at least not to me - I'm just there. Sometimes, at work or at home, all you need to be is there, to be open to all manner of abuse. More likely what's going through her head about something else - her mother, for example.</p><p> I watch her from the bedroom window; it's the first time I've seen her in six weeks. Very rarely outdoors, her oval face is as pale and puffy as a mushroom but she's smiling now, singing as she wanders among the debris: </p><p> <i></i></p><center>Uh-oh! Up-down the yard you go - <br> Black, sleek and slow, uh-oh!<br> I love your antlers, BENDING!<br> Sending Sending Sending<br> Your messages to outer space…<p></p></center> Christine is serenading the slugs and since I'd rather she sing to them than me, I’ll avoid that hole in the hedge.<p> 'Well, hallo Mr Snail! What a nice house you've got on today. Like a shell from the sea you've carried all the way. Oh, I'd have baked a cake if I knew you were coming!'</p><p> It sounds as if she’s in a good mood now and who's to say she isn't happy in her own little way? Apart from her parents, she hasn't the benefit or disadvantage of comparing her life with anyone else's. Of the two evils, I wonder if it's best to be spoilt by them or spoilt by the outside world? She has these three voices - the screeching infant, the sweet-singing mother-daughter or growly father-bear. </p><p> The Three Bears are what the Dayes family are like: fearful, frightening and rarely seen. Obviously she impersonates her family because she doesn’t see anyone else. Her parents and the slugs in the garden are her world. Neighbours say things like: 'Oh! I don't know how you stand living next door to that. I'd never sleep at night.' I suppose it gives them considerable satisfaction that they aren't. They talk about the Dayes as if they weren’t human.</p><p> Actually, I’ve been for weeks and completely forgotten they're there - just fifteen feet away, hidden by screeds of ivy and brambles. It's only when I hear one of them coughing, cursing or slamming a door it all comes back to me: people live there. I’ve heard laughter so it's not all bad. But for the most part, day upon day, month upon month, the years pass in silence. Its entire facade luxuriant with ivy, their house has fused with the landscape, its untended garden thick with brambles and stingers. Even if their front door was unlocked, no-one would dare open it. So, with little to no security they've succeeded in keeping everyone out. Their meters have never been read and it’s unlikely they’re on any census. It’s as if they have their own country over there: a damp primitive jungle. In its strange way, the house looks exotic, like something from another time and place, and more of a shelter than a home, it reminds me of air raids. But if the Dayes see the rest of us as potential bombers, it looks as if the bomb fell long ago. Incongruously, a satellite dish hangs from the side wall, but that’s almost covered with ivy now. </p><p>Television then is their only window on the world. I wonder what their favourite programmes are? Who Wants To Be A Millionaire perhaps? Phoning a friend wouldn’t be an option - they have no telephone and presumably, no use for one.</p><p> About six months ago some letters came for them, here, by mistake. No doubt our new postman couldn't believe anyone could live in such a hovel. Perhaps he didn’t even see the house, so densely camouflaged now. Anyway, the letters looked like two copies of the same thing - a bank statement or bill. I took them around of course. </p><p> Up close, the house's deterioration shocked me anew. The moss that was so thick and soft underfoot, had an unearthly, moonlit luminosity. It grew in clumps up the wall; I’d never seen moss growing so high. As I stood there, I had an impression of darkness all around, as if it was nearer midnight than midday. Despite my rising sense of panic, I stepped forward. </p><p> The window sills and porch frame were bloated with dry rot and the drawn, torn curtains reminded me that the Dayes had been living in darkness for years now. The curtains were so thick and stiff with pleurococis, they looked as if they were made of plaster. Several tendrils of Virginia Creeper had crawled through chinks in their frames and into the fabric of the house, as if pulling it under. It looked like something from the bottom of the sea and as I stood there mesmerized, the silence seemed to be gathering force. Then, as if I was in a dream, before I even knew it, I was ringing the doorbell. It made a peculiar, muffled sound like a fly in a cup, as if it had been wrapped in something. Perhaps it had - to spare their nerves? I simply wanted to explain the mix-up with the post and see that they were all alright. I just hoped it would be Mr Dayes who came to the door as he'd be easiest to talk to. Of course, no-one answered the door. They never did but it was as if I’d forgotten that.</p><p> The letter box was stiff with rust but when I forced it open, a great blast of stale air came out with a smell like tomatoes in a greenhouse. I dropped in the letters and peering in, saw dead leaves and tufts of dust moving across scuffed linoleum. Somewhere, deeper in the house, I heard a tap dripping and it sent a shiver down my spine, which it wouldn't do anywhere else. </p><p> Sometimes I think they're there as an experiment, or reminder. For most of us it's best foot forward, making sure we appear to be winning, keeping it all together, body and soul, house and home. Meanwhile, doing nothing at all, the Dayes are championing something else. What, I’m not exactly sure but it’s more than just neglect. Maybe they’ve discovered hidden reserves and inner fortitude that no-one else has the time to? Certainly by hiding away they’re criticizing the world we live in, as if stating it has no attractions.</p><p> There’s always the notion that whatever life we’re leading, it’s only one and there’s sure to be a better one somewhere else. If to one extent or another, most of us feel life passing us by, I doubt this ever occurred to the Dayes. They live the only life they know and that’s it. I can't say this hasn’t affected me either. I've even fantasized about going into a spectacular decline myself: just letting it all go. That would give the lane something to think about. After all, it's difficult to scapegoat more than one household at a time.</p><p> For the last ten years the successful have been moving into the lane and what was £80,000 five years ago is double, sometimes triple that now. The old locals have died off and younger couples have moved in with their flash cars and mobile phones. They want everything and they want it now. For detached houses they're as modest as can be, so people convert and extend. Mine's no bigger than a terrace but it's the position, the locality. The breathtaking views of soft hills are nothing short of mystical; they can really lift your spirits. None of the houses are overlooked and just three miles from town, we're surrounded by sheep. Still, never satisfied, people have complained there's no streetlights even when that's how the stars stand out so brightly in the dark blue and black. Some people want to civilize everything. Before you know it, they’ll be no wildness, no beauty left anywhere. I try not to think about the mock tudor housing estate creeping ever closer. I for one don’t want a blaze of orange around here, like city streets in the middle of nowhere. I like to think of the lane as a river, rambling and free-flowing. This month, the council resurfaced it with lovely black tarmac, fresh-smelling and slightly sticky underfoot. The lane hasn't a name so our houses have. Our postal addresses are just followed by the nearest village and town. My house name, West Bank, is cut into a lovely slice of oak mounted on the front wall. Next door is simply called The Dayes. Mr Dayes painted it on a big stone in the front garden. It’s like a homemade gravestone and their house could well be a grave one day as, silent for weeks, they could all die in there and no- one would know. </p><p> Andrew Dayes had seemed quite normal until he retired. With the exception of trips to B&Q;, he did the things most husbands do. Monday to Friday he worked nine-to-five and if his suits were slightly shabby, his shirts were always pressed. Before he got into his car he would kiss it. I’ve always wondered how he could be so much a part of the real world and return to them and that house, falling apart around his ears? If they couldn't see it, surely he could? If I was Andrew Dayes I would have got in that car long ago and driven, just driven, and not looked back. Now, retired for a year, slopping around in a holey cardigan and worn-out trousers, he's like the rest of his family. These days he says hello if I catch him but not much more than that. Last week he said we were in for terrible frost which struck me as distressingly normal. I wonder if he realizes he's the last link his family have with the outside world?</p><p> I've not really seen Mrs Dayes since she buried the family rabbit thirty years ago. She was a bit scruffy but not so much you'd remark on it. Her disheveled grey hair was shoulder length but I noticed she was wearing crimson lipstick, meticulously applied. We had a brief conversation about pets as family members and if a little gruff, she seemed pleasant enough.</p><p> 'I've gorra dig this ole, see? The ol man's at work and Christine mustn't see. She loved the rabbit.' She didn't look at me when she spoke and could just as happily have been talking to herself. </p><p> They tried going on holiday once. One Saturday morning, some fifteen years ago before Mr Dayes got a car, they all boarded a coach bound for Wales. Bangor I was told. But the proprietor of the bed and breakfast Mr Dayes had booked them into, sent them home before they could even get a foot over the threshold.</p><p> 'You can't stay ere cos all you all need a bath!'</p><p> Just imagine! Having returned the eighty-odd miles by taxi, they were back by Saturday night, just in time for Blind Date: I heard the jingle as Mr Dayes took in the luggage. Their ‘holiday’ became something of a joke in the lane: 'Didn't we have a lovely day, the day we went to Bangor, and all for under a pound, OY!' The taxi fare alone must have been well over a hundred. To my knowledge Mrs Dayes never left the house again.</p><p> Until last week, dressed in their teacosy hats and army surplus clothes, Andrew and Christine would take a trip to the local offy every Friday night. Last week was the last trip they'll be taking there too. </p><p> 'Me mam needs er Sanatogen,' was how it all started apparently.</p><p> 'We don't stock that,' came the reply.</p><p> 'We always buys it ere,' said Christine.</p><p> 'We don't carry fortified wines.'</p><p> 'FUCKIN GIVE ME MAM ER SANOGEN!' yelled Christine. 'DAD! TELL ER!'</p><p> The Manager was called in. 'What seems to be the problem?'</p><p> 'Me Mam wants er Sanatogen YER FUCKIN PLONKER!'</p><p> 'Right, that's enough - you're barred.'</p><p> 'FUCK OFF YER WANKER!' yelled Christine and once outside she began singing as loud and as sweetly as she could: 'Wank-er! Wank-er! Wank-er!' </p><p> To think, when they first moved in, I thought we could be friends! I had thought of whist drives and cribbage. Meanwhile, the offy manager was out with the air freshener as soon as they'd left. Apparently Mr Dayes didn't say a thing.</p><p> I've never taken the comfort of my own home for granted and the Dayes house is a constant reminder. After all, you never know what might happen, how long you might have a roof over your head. Dry rot, subsidence, leaks, blockages. When I think of what I've had done over the years: new roof, damp-proofing, double-glazing, central heating and new floors to name a few. Most of which are considered necessities, not extras or luxuries these days. DIY is a way of holding back the years and without it, a place can really deteriorate. If nothing’s ever done, it's a week-by-week decline. A place can really go to wrack and ruin in thirty years. Next door, where no change is a good change, nothing, nothing, nothing – year upon year. I guarantee the yellowing wallpaper from 1973 will either still be there or hanging off in tongues. It was twenty years old then. </p><p> I suppose more folks would say it was a disgrace if they could see what was going on. You'd think they’d be more concerned about the Dayes house but because it's at the very end of the lane, they're quite oblivious. If it was in the middle it would be a very different matter. Still, my nosey neighbour has assured me that a compulsory purchase order has been applied for. What will the Dayes do? What, I wonder are they doing now? </p><p> A grey driving rain has come beating at my windows and I can see from here that several of their slates are missing. I imagine Mrs Dayes watching television with buckets ticking all around her like bombs, Mr Dayes reading a newspaper in his winged armchair, Christine lying in bed, catching drops in her open mouth. </p><p> After the storm I take out the rubbish and all is quiet. That’s what I like about it here. It’s dark and the stars are twinkling, reminding us, prettily, just how insignificant we are. All around, the world is going to hell in a handbasket, but here there is peace of mind rather than pieces of it. The evenings are long and slow and I’ve grown used to that: I enjoy them. Occasionally, I have company – another neighbour or a friend but it’s surprising how, when you live alone, your own company is more often than not the preferred kind. </p><p> I hear a horse munching at the end of the field and the soft Voo-croo! of the wood pigeon. I breathe in the night air and pray for something good on television. When you get to my age, it’s the simple pleasures that are important: a nip of brandy at the end of the day. Feet up, telephone off the hook and a cigarette, just one, after dinner. </p><p> I’ve just got comfortable when I hear it. At first I thought it was thunder but it sounds like fireworks. People have them all times of the years these days. An almighty rumble is followed by a loud crack and a scream. I peek out of my window but can’t see a thing so put my coat on, collect a torch and go out front. In the torch beam I see a plume of thick orange dust rolling in the air. It’s as if a bomb has gone off and I can hear coughing now. Next door there are lights for the first time: bare lightbulbs, hanging like question marks through tangles of ivy.</p><p> Oh my God!</p><p> The entire side wall of the Dayes house has collapsed. Mr Dayes car has been crushed underneath. The nearest neighbours are gathering for a look and once the brick dust begins to clear a bit, we can all see an illuminated cross-section of the Dayes house. Upstairs, Mrs Dayes is watching television in bed, while chunks of plaster are still falling off what is left of the ceiling, pinning her to the bed. Grown obese, she is surrounded by a stockpile of food and instead of the usual bedside cabinet, has a saucepan on top of a small stove. The floor seems to be covered in bones and feathers but I could be imagining that. </p><p> 'Andrew! Andrew!' she calls in a quavery voice. In the room next door to hers, a stunned Mr Dayes is sitting before a telescope poking out of the open window at 45 degrees. Both Mr and Mrs Dayes are stranded on the top floor as the stairs have collapsed with the side wall. Christine is downstairs.</p><p> 'Mam! Mam! The ouse has falled down! Bloody ell, I can see the outside!' </p><p> Around her, lining the downstairs walls are thirty or so interconnecting wire cages, housing at least a hundred white rats who are now scurrying around, squawking.</p><p> 'Mam! Mam! What we gonna do?'</p><p> 'Andrew! Andrew!' cries Mrs Dayes but Mr Dayes just sits there, blinking through the dust.</p><p> The neighbours who’ve gathered for a look do not move until one of them phones the emergency services on her mobile. Immediately, I sense them breathing more easily: something has happened, something has been resolved. The Dayes can’t stay here a minute longer. Their house will have to be pulled down. Here they are, casualties of war in our own picturesque lane. Suddenly, Christine sees us there. Shuffling to the ragged edge of the room so brightly illuminated it’s like a stage, she points in our direction:</p><p> 'Yow enjoyin lookin at the monkeys are yer? Eh? 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