Michael Paul Ladanyi writing showcase on the official website of Laura Hird



SHOWCASE @laurahird.com

To visit Michael's personal website, click here, for the website of his magazine, the Adagio Verse Quarterly, click here or for a review of his chapbook, 'Chicken Bones' on The New Review section of this site, click here


 


Michael Paul Ladanyi lives in the foothills of the North Georgia Mountains with his wife and two daughters. He is a two-time 2004 Pushcart Prize Nominee. His poetry, reviews and interviews have appeared in hundreds of print and online journals in the US and abroad. He is the published author of two full poetry collections and eight poetry chapbooks, and has just completed work on his latest full poetry collection 'Raindogs in the Sun.' He is creator, publisher and editor of the online poetry magazine Adagio Verse Quarterly, an Assistant Managing Editor with Underground Window, and previously served on the editorial boards of the magazines Rustlings of the Wind and Write-away-poetry! for over a year each. Additional information about Michael Paul Ladanyi, including how to purchase his books, can be found in his personal website


MICHAEL'S INFLUENCES


DYLAN THOMAS

Click image for biography, bibliography, links and online texts on the Poetry Exhibits website; for a profile of Thomas and a great selection of links on the Pop Subculture website, click here or for related items on Amazon, click here
SYLVIA PLATH

Click image to visit the Sylvia Plath Forum website; for the Plath Online website, click here or for related books on Amazon, click here
VIRGIL SUAREZ

Click image for a short interview with Suarez on the Midnight Mind website; to read his poem, 'Vespers on the Anniversary of my Father's Death' on the CLR website, click here or for related items on Amazon, click here
ELIZABETH BARRETT BROWNING

Click image to visit the Elizabeth Barrett Browning and Robert Browning Page; for a biography and online texts on the Poetry Exhibits site, click here or for related books on Amazon, click here
ROBERT CREELEY

Click image for the EPC Robert Creeley Author Homepage; for Alan Riach's 1995 interview with Creeley, click here or for related items on Amazon, click here

MICHAEL'S TOP 5 BANDS


LED ZEPPELIN

Click image for unreleased video and audio clips of the band on the Electric Magic site; to visit the beautifully designed official Led Zeppelin website, click here or to listen to sound clips from the band on Amazon, click here
THE DOORS

Click image to visit The Doors official website; to visit The Kingdom website, dedicated to The Doors, click here or for related items Amazon, click here
NEIL YOUNG

Click image to visit Neil Young's official website; for the Hyper Rust Never Sleeps site, click here or to listen to sound clips from the band on Amazon, click here
BLIND MELON

Click image to visit the official Blind Melon website; for the Keeping Blind Melon Alive site, click here or for related items Amazon, click here
NIRVANA

Click image to visit the Internet Nirvana Fan Club website; for the Nirvana Web Archive, click here or to listen to sound clips from the band on Amazon, click here

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SELECTED
POETRY
by Michael Paul Ladanyi





'TO BLOW NUMB'



there is hoodoo-tongue violence
in your hope-taunt eyes, jacob.
you will come back home again,
machine-red-twisted, a portioned
thing hung hum-splintered upon itself,
like orange water-drug fingers.

i thought i saw you tuesday,
in hunch-white limbs, acorn-moss
soil beside a winter-oak sidewalk,
like sun/knife/insane/turning.

there is a twig-stone place out back
where tenor crows lung-crunch
gray january mornings, where acoustic
wind refuses to blow numb,
like edified smiles through cigarette smoke.

below lies your box of hero-torn eyes,
your 52 reasons to hang yourself and live.
i have walked there, jacob,
where serpentine kudzu was burned,
nude and diseased.


� Michael Paul Ladanyi
Reproduced with permission


'SHIVER FILM'



I thought to call Patricia this
morning and talk about shiver-film
street children of Bangladesh,
instead I watched blue pillow-reversed
smoke rise burning from a cigarette,

/listened to my heart grow sick/
/become traffic-paint rain against a tin roof/
/thoughts about heavily perfumed whores/

Way down, trickling as ocean-scratched
chatter washed sharp, green-piano-
key-words are brothers buried
beneath profitable black,
sun-coughing metal godfucking,
everything that is like sand
on cleaved neck-tongues.

War is a glass bottled ship/
is naked insanity/
is silver suns fisheye-hooked;
most of the children will
stop shivering when they die.


� Michael Paul Ladanyi
Reproduced with permission


'PLASTER RELIEF'



~A Letter to Shannon in November~

Words are spider-prayer lullabies,
orange and cream tongues written
on the bed-sheet face of what we
have done to ourselves,
methadone rainbows eclipsing my spine,
bold aging thoughts that smell
like chocolate and pain,
pouring brown gravy, soup spooning.

Shannon, my stomach is hungry
stick figures, I am living in
despairing ghost-tap windows,
walking the green-brown hall
as a match-struck thing in plaster relief.
If I have ever heard laughter
like yours, it is now.

I�ll bathe eye-weight circles in shadow,
steal art to hang on my face,
phone you through a forgotten
stereo-tone number,
and listen to click-paper whispers
you call words, telling me
I can�t do this forever.


� Michael Paul Ladanyi
Reproduced with permission


'SOUP-TONE WALLS'



Sophia came back from her shotgun
mouth grave yesterday.
I put down my blue book
of Creeley and made coffee.
While scratch-picking black dirt
from beneath red nails she said,
�Everyone wants to write a novel.�

I said, �I could give a fuck less
about what everyone wants to do.�
She stared at green soup-tone walls,
down the short spider-brown-carpet hall,
as if listening for rattle-tap
chicken bone whispers poured
into eye-bone wounds.

�I need to get back,� she said,
while lighting a cigarette like
pill-bottle rattling. I thought,
you don�t have to use the door
if you don�t want to.
She turned,
smiled like broom straw through blood.


� Michael Paul Ladanyi
Reproduced with permission




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