Michael Loughrey
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Michael Loughrey was born in Greenwich, London, and has lived as an expatriate in New York, Los Angeles and Paris. His short fiction has featured in Aesthetica, Hobart, Word Riot, 5_Trope, Underground Voices, Dogmatika, The Future Fire, Sein und Werden, Aphelion, Raging Face and Halfcut Publications / Leper Colony. One of his stories was selected for the best-of-year print anthology published by Underground Voices in December 2007, and he won first prize in the UK Authors Network short story competition. Publishers interested in acquiring the outstanding opus which is his recently completed novel should form an orderly queue outside the shack where he currently hangs his hat in Norfolk, U.K., or contact him at [email protected]


MICHAEL'S INFLUENCES


J.S. BACH - Suites For Violencello

Click image for an extract from the Suites on the YouTube website; to visit the JS Bach Homepage, click here or for related books on Amazon, click here


FRANCIS BACON

Click image for the Francis Bacon CX website; for the Estate of Francis Bacon website, click here or for related books on Amazon, click here


JÉRÔME BOSCH

Click image to visit the Bosch Universe website; for the Hieronymus Bosch Paintings website, click here or for related books on Amazon, click here


WILLIAM S. BURROUGHS TRILOGY

Click image to visit the William S. Burroughs Book Reviews website; to read a review of Burroughs' 'Commissioner of Sewers' on the new review section of this website, click here or for related books on Amazon, click here


MARCEL DUCHAMP

Click image to visit the Understanding Duchamp site; for the Marcel Duchamp World Community, click here or for related books on Amazon, click here


BOB DYLAN

Click image to visit Bob Dylan's official website; for the Expecting Rain Bob Dylan site, click here or for related music on Amazon, click here
SPIKE MILLIGAN

Click image for a profile of Milligan on the BBC7 Comedy website; to watch a clip of Milligan on the YouTube website, click here or for related books on Amazon, click here


THOMAS PYNCHON - Gravity’s Rainbow

Click image to visit the Hyper Arts Thomas Pynchon website; to visit the Pynchon Portal site, click here or for related books on Amazon, click here


MARK ROTHKO

Click image for an overview of Rothko on the NGA website; for a biography of Rothko on the Guggenheim Collection website, click here or for related items on Amazon, click here.


THE SEX PISTOLS - Never Mind The Bollocks

Click image to read about the album on the Wikipedia website; to visit the Filth and the Fury website, click here or for related books on Amazon, click here


THE TOP FIVE THINGS MICHAEL LIKES ARE:


SEEING

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HEARING

***

TASTING

***

SMELLING

***

TOUCHING


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GEOPHAGY

by
Michael Loughrey





In the dark, when you’re upside down, soaked in blood and gasoline and your brain hurts, mud can fool you into believing it’s chocolate.

Angelina’s parents said she should be grateful to the cow who saved her life, like she should go back to the field in her shiny new wheelchair, say thanks, maybe pat it’s rump, talk about the elements in mud which make grass grow and cows eating grass which made milk which was an ingredient of chocolate.

When they moved her out of intensive care she watched a doctor’s lips animate as speech bubbles floated upwards: something about frontal lobes. In post-trauma maelstrom, she feared that frontal lobes was doctor-speak for breasts, and maybe he was going to carve them up like he’d done to other parts of her body.

Discovering what frontal lobes were made her think that God, or whoever was responsible for Everything, would never hold down a job with Mercedes-Benz. Her dad worked as a mechanic at Benz dealership and swore by them for safety. Angelina didn’t even know she had frontal lobes, but the doctor told her that they are at the front of the brain. The bone of the forehead is smooth on the outside, but - and this is where she felt God’s design job sucked - on the inside the forehead bone is rough and craggy like a cliff face. There’s some goo swilling around between the rough bone and the soft tissue of the frontal lobes which acts as a cushion in case of minor blows to the forehead, but when your body is hurled forward violently in an accident like a car crash, the goo doesn’t stop the lobes crashing onto the jagged rocks, and then your brain hurts.

The frontal lobe job and all the other operations kept Angelina alive, but she would never walk again. As for not speaking, the doctor said that not speaking was not physiological, but psychological trauma and she would talk again one day, but Angelina secretly vowed she never would. Juan would never walk or talk again because Juan was muerto. He’d been buried in the mud, but that wasn’t good enough so they dug the Mitsubishi out of the ditch, cut him out of the wreckage and cremated him. Not many people get buried and cremated. Lucky throw of the death dice for Juan.

***

Not talking was because Angelina didn’t want to speak about the accident since she’d have to admit it was her fault, and then maybe she’d be prosecuted for manslaughter. If she hadn’t punched Juan for flirting with Vikki Alumerz earlier that evening he would never have skidded off the wet road into the ditch. And she would never had ended up with dead legs and her mind all messed up, and by now, they would have kept their pact to make the trip back to where they belonged.

She had flashbacks. Inside, the outside was all at weird angles because the car had rolled onto its roof. A sticker on the shattered windscreen had a red check sign and read Mitsubishi Corporation AOK, but everything wasn’t. As slimy mud oozed in through the shattered windshield, she imagined robots in Japan reciting Haiku as they spray-painted an infinity of Mitsubishis with molten chocolate. She didn’t want to die in a Mitsubishi, and heard her father hollering heck, why didn’t you date a guy with a Benz?

Angelina was scrunched up against Juan, who had the steering wheel implanted into his chest and a pair of fluffy dice as an earring. As if making him crash wasn’t bad enough, her body was pushing his face down into the mass of liquid chocolate. Unable to move anything but her head, she lay there crying as stupid love songs blared from the radio whilst she licked the chocolate off Juan’s face so he could breathe until the mud and worms and grass and grit made her throw up and the slow brown avalanche slowly covered his head, leaving only one eyed snakes on the yellow dice visible. Later, that dumb cow that wasn’t so dumb climbed the grassy knoll above the ditch and got out through the fence they had knocked down and wandered onto the road, as if it knew it had to stop a passing car so someone could call the emergency services.

***

Whereas most people in the walking world had been indifferent to her passage through life, walkers in the wheelchair world were kind and helpful. And when they realised she had the further handicap of not being able to speak and had to communicate by writing on a small whiteboard, they positively gushed humanity.

Angelina’s parents helped her find a ground floor apartment, insisting that it must have full length sliding windows to a garden. Declining their offers of assistance with furnishings, her little whiteboard told them that she wanted to think about her options, though truth was she’d already made up her mind.

She wrote a letter to the scrapyard where the wrecked Mitsubishi had been taken to, and another to the farmer who owned the cow that had saved her life. Days later, a crane hoisted the Mitsubishi over the garden wall and three hardhats pushed it through the sliding windows into her empty living room and the cow was eating the grass on the back lawn.

’It’s leaking oil onto my rug.’ Was all the flabbergasted landlord could say when he came to investigate complaints made about the cow by neighbours.

’That’s a new rug.’

Angelina raised a finger to her lips before scribbling on her whiteboard: schhh! Can’t you see my boyfriend’s ghost is asleep in that car?

The landlord looked nonplused. ‘That’s a cow in the garden.’ He whispered in deference to Juan’s ghost. ‘Lease says no pets.’

Frowning, Angelina scribbled furiously: it’s not a pet, nor a farm animal. It’s Saint Christopher, patron saint of travellers. Reincarnated as a bovine.

’Lady,’ the landlord sighed, a hint of irritation overriding the consideration he had previously shown for her handicap, ‘animals is pets. And pets is animals. Same difference. Who’s going to milk the damned thing?’

***

Each night, Juan punished Angelina for making him a ghost by forcing himself on her when she was in bed watching TV. The doors of the Mitsubishi wouldn’t close properly since the accident, so she duct-taped them closed so Juan’s ghost couldn’t get out, but somehow he always did. Staggering into her bedroom on twisted legs, head flapping from side to side on his broken neck, he’d yank back the blanket, hoist up the T-shirt she slept in, open her dead legs and pleasure himself, frozen breath smelling of mud, chocolate and gasoline as he whispered Vikki Vikki into her ear. When raging jealousy drove her to punch and bite him the congealed blood on his wounds from the accident would open, the bed ran red with his blood and he’d laugh, light a cigarette and make her lick the chocolate and worms from his broken body.

***

Saint Christopher ate all of the grass in the garden within three days. Angelina was drinking tequila from a bottle whilst searching the Yellow Pages for animal feed suppliers when a letter arrived from the landlord.

’Bet that ain’t no love letter.’ Juan’s ghost yawned from inside the Mitsubishi. ‘Eviction notice, right? Time to cross the frontier. Get back to where you belong.’

’I know we made a pact.’ She snapped angrily. ‘But things have changed. I’m not sure I wanna go back.’

Juan’s ghost licked blood from his lips as he threw the fluffy dice onto the passenger seat.

’Cariño. You got no choice. Just like gravity decides where dice come to rest.’

The clomp-clomp of the cow’s hooves on the wooden floor as it entered the room interrupted their exchange.

’Excuse me for butting in,’ Saint Christopher said, clearing his throat, ’but I couldn’t help overhearing your conversation. About making the return trip. Take a closer look at the black and white patches my hide. See? It’s a map.’

***

The police stopped them several times on their way out of the city. A cow with a harness made from duct-tape pulling a cripple in a wheelchair along the sidewalk wasn’t against the law, but it did arouse curiosity and suspicion, even in a territory where the prevailing lunacy often hid behind a straight face.

Each time a squad car pulled up beside them, Angelina picked through the jumble in her tote bag of tequila bottles, medication and little cakes of dried mud she’d made for the trip to find her Disabled Person’s card so the police would believe she really was a crippled person and not a crazy person.

During these interrogations, Saint Christopher took a perverse pleasure in emitting raucous and pestiferous flatus in the policemen’s direction, whilst Juan’s ghost swayed from side to side on his broken legs, swatting flies away from the empty eye socket above which, affixed to his forehead, was the window sticker Mitsubishi Corporation AOK.

***

A flock of scrawny vultures soared on thermals beneath an obdurate sun as they traversed a barren plateau of fine red dust which adhered to their sweat.

’We’re nearly there.’ Angelina whined, dry tongue clicking on her palette whilst squinting at the map on Saint Christopher’s hide. ‘Everyone this side of the frontier is this freakin colour. I been meaning to ask. What kinda evil does a saint have to do to get reincarnated as a cow?’

Saint Christopher hung his head. ‘The Boss caught me red-handed. Helping a little girl cross the road. I suspect infiltrators from another realm had been monkeying with my faculties; a Pavlovian reflex with a subliminal Nabokov inculcation. I finger-fucked that sweet naiad in the middle of the road. Admittedly, it was a licentious act, but I was also seeking an olfactory indicator to the beginning of all this. As patron saint of travellers, my vocation was to help those on the road. In a larger sense, that little girl was doing just that. Travelling. The passage from child to woman. I too was on a voyage. Went a little too far, it seems.’

Animating this confession, Juan, naked, and caked in red dust, masturbated as he danced a clumsy jig around them, his erection the only linear member of his fractured and deformed anatomy.

Angelina dug into her tote bag, pulled out the last of the mud cakes and ate ravenously.

’So,’ she giggled, ‘whaddya you learn from sniffing cunty fingers?’

Saint Christopher’s sigh was weighty with perplexity and melancholy.

’Embracing the cold ocean is preferable to being cast into the inferno. See this as a trope: when the flames engulfed the seas, their polarities ceased to be harmonious. In camera, the breakdown could be attributed to a number of phenomena. Infected alien jissom swallowed by sleeping virgins. Bacteria released from falling meteorites corrupting the food chain. Tectonic plates left too long in the microwave. Barbie and Ken’s inevitable divorce. Semiological interpretations of Rohrsach tests by blind angels. The Disneyfication of Descartes. Who knows?’

Angelina chuckled, a rivulet of mud dribbling from her parched lips into the red chasm of her cleavage. ‘You missed frontal lobes. God Corporation not AOK.’

***

Angelina awoke from a dream where she was being buried alive with dozens of other bodies. Her mouth and mons veneris felt badly bruised. Odours of sex, unwashed bodies, excrement, tallow candles and burning flesh filling her nostrils made her vomit. Close by, she could hear the rhythmic beating of drums and the crisp crackling of a campfire. Wiggling free of tangled limbs in which hers were enmeshed, she crawled towards a slash of flickering light in the darkness, dragging her paralysed legs behind a torso in which every muscle ached towards the light.

The whites of their eyes alarmingly apparent against their red ochre skin, revellers gathered around the campfire resembled those inside the tent. A queer crew of naked and heinous creatures, demons, djinns, eidolons, chimeras, aberrations, monsters and mutants of every description. A headless hunchback was pushing her wheelchair in which Juan’s crumpled body resembled an abandoned ventriloquist’s dummy. Eviscerated, skinned and impaled on a spit, Saint Christopher’s blackened carcass was licked by flames as he roasted over the fire.

’Hello Angelina.’ He said in a blithe attempt at levity. ‘When I said I’d guide you here, I didn’t plan on staying. Much less becoming your supper.’

When Angelina crawled forward to reach out her hand to him, he closed his eyes and sniffed her fingers appreciatively with flared nostrils.

’Ah. Broth from the cauldron.’ He whispered with hushed gravitas. ‘How very compassionate of you. I suppose you’re famished after all that debauchery. I’d recommend a filet steak. Medium rare.’

Angelina urinated in the powdery red dust, scraping the mixture together and forming small patties in her hands.

’Thanks,’ she cackled, ‘but I’m on a diet.’


© Michael Loughrey
Reproduced with permission



© 2008 Laura Hird All rights reserved.

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