SHOWCASE @laurahird.comTo read Mark's story 'The Double of My Cousin from Fife' on the showcase, click here; to read his story, 'White Gloves' click here or to read his story, 'Dragons' click here.
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Mark Fleming was born in 1962 and lives in Edinburgh. His fiction has appeared in diverse outlets, including the Picador Book of Contemporary Scottish Fiction 1997, Macallan/Scotland on Sunday anthology 1998, Front and Centre, Cutting Teeth, Big Issue; and online at pulp.net, and on this very site. BrainBomb is his first novel -a semi-autobiographical account of his experiences with bipolar disorder, set against the capital's punk scene in the 70's and club scene in the 80's. BrainBomb is available for download from Chipmunk Publishing. A collection of his short stories, The Lost Children, is to be published in January 2009, at Tartan Moon. To read a review of �Brainbomb� on the New Review section of this site, click here.
SOME OF MARK'S FAVOURITE THINGS 1. MONTY PYTHONThe first 'grown up' programme I remember being allowed to stay up and
watch as a special treat. I guffawed at the Terry Gilliam cartoons.
The older I got I grew to relish the other bits: the crazy slapstick,
the satire, the irreverence, the jokes that incurred establishment wrath
(and got 'Life of Brian' banned in Ireland until 1987 and Jersey until
2001). 2. BRITISH PUNK ROCK PHENOMENON, 1976-79Punk is routinely applied to everything from Babyshambles to Beckham haircuts. But for anyone who pogoed at rabble-rousing gigs, and
collected Peel sessions and 7 inch picture sleeves, it means one thing -
the energy and passion of the 70s musical explosion. Check out any live
footage of The Clash or the Pistols in their heyday ... Which of today's
MTV darlings will be cited as major influences in 30 years?
3. BRITISH BIRDSAs a kid I used to entice Coal Tits and Bullfinches to eat peanuts from
my outstretched palm. From Turnstones and Guillemots at St Abbs, to
Mergansers in Dunsapie Loch, I spent hours stalking these wondrous
creatures with binoculars. The other weekend I spotted a Kingfisher in
Edinburgh's Botanics and was momentarily crazed with excitement. My
5-year-old daughter demanded an ice cream.
4. JIMI HENDRIXRock guitar solos often spiral into self-indulgence, inspiring ludicrous
gurning at female fans by middle-aged cretins in spandex. James
Marshall Hendrix transformed his Fender Strat into an instrument of
beauty, capable of extreme tenderness and savage feedback. He created a
vortex where rock, psychedelia, blues and funk collided gloriously.
When I listen to Hendrix I hear a plaintive, yearning voice, tapping
into a vast sonic landscape to unleash the musical possibilities. Dead
at 27 - one of life's great 'what ifs'.
5. RAYMOND CARVERCarver's fiction plunges you into situations where the mundane has
become extreme. 'Popular Mechanics', a short story about a custody
battle, doesn't require the convenience of any back-story. It pitches
you straight into a domestic, with its horrifying climax, in 500 words.
Wire, an 'art punk' band I have adored since 1977, used to have songs
that lasted 28 seconds. Carver's terse fiction mirrors that urgency of
communication. His writing was poignant, bittersweet, and economical in
every aspect except humanity.
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