Marc Goldin on the official website of Laura Hird



SHOWCASE @laurahird.com

To read a selection of reviews by Marc on The New Review, visit the index here; to read Marc's review of 'Dia de los Muertos: Tribute and Tradition,' exhibition on The Lamp website, click here; to read Marc's latest Showcase story, 'Transformer,' click here; for a selection of reviews by Marc, click here; to read a selection of Marc's poetry on the Showcase, click here or to read Marc's story 'Tulum' click here


 


Marc Goldin currently lives in Chicago, with three cats, each one more long-haired than the last. Interests have ranged from medieval monasticism to discontinued stations on the London Underground � literary likes too diverse (some would say schizo) to list here although the last several years have been witness to an intimacy with Scottish and Irish literature. American Southern and Beat era lit also account for some of the �missing years�. Music tastes run the gamut from Cuban Danzon to Ska (all three waves but having a specific attachment to the second, two-tone period) to the Tuvan throat singers. Has written book reviews for a now defunct Irish literature site and has several short stories in various stages of development. Mad for black and white photography and aspires to someday have a complete collection of photos documenting every close in Edinburgh's Royal Mile. Works in the IT dept. of a French company in the current political climate. In football, supports Chelsea, Hibs, and for the sake of employment security, Marseille.


To leave a message for Marc on the site forum, click here.


MARC'S LITERARY INFLUENCES


CORMAC MCCARTHY

"I�ve read everything he�s written. His 1985, 'Blood Meridian,' is one of the most raw and lyrical books I�ve ever read."

Click image to visit the official website of the Cormac McCarthy Society; for a biography and bibliography of McCarthy, click here or for related books on Amazon, click here
WILLIAM FAULKNER

"The original southern gothic writer."

Click image to visit the comprehensive William Faulkner on the Web site; to visit the website of The William Faulkner Society, click here or for related books on Amazon, click here
PATRICK O�BRIAN

"The best writer of historical fiction, he created fictional works of a certain period that has surpassed anything else in that genre."

Click image to visit the World of Patrick O'Brian website; for the Gunroom Guide to the Patrick O'Brian web resources, click here or for related books on Amazon, click here
TONI MORRISON

"I�ve read most of her work. Her 1987, 'Beloved,' was one of the most wrenching books I�ve ever read. I found the movie of it to be an absolute travesty but as a piece of literature, it has to be one of the most difficult subjects to ever be addressed. In her hands, it�s epic."

Click image to visit Anniina's Toni Morrison Page; to visit the website of The Toni Morrison Society, click here or for related books on Amazon, click here
NELSON ALGREN

"My Chicago �homeboy� and advocate for the downtrodden, he has given a certain dignity to society�s cast-offs. 'The Man with the Golden Arm' (novel) and 'Neon Wilderness' (short story collection) have to be among the most poignant pieces I�ve ever read. His writing is emotionally pure without a trace of maudlin or artificial sentiment."

Click image to visit the website of The Nelson Algren Committee; to read Jeff McMahon's article, 'The Secret Faces of Inscrutable Poets: Nelson Algren's Chicago: City on the Make,' click here or for related books on Amazon, click here
PHILIP K. DICK

"My favorite Sci-Fi author. A nutter and clinically paranoid, he also knew what he saw and always tried to find a sort of truth. Brilliant writer."

Click image to visit Philip K. Dick's official website; for a detailed biography and links on the Scriptorium website, click here or for related books on Amazon, click here
JHUMPA LAHIRI

"Some of the best short stories I�ve ever read. Her, 'Interpreter of Maladies' showed me the short story format taken to another level."

Click image for a biography and good selection of links on Lahiri on the Sawnet website; to read Arun Aguiar's interview with Lahiri on the Pif website click here or for related books on Amazon, click here
ZORA NEALE HURSTON

"Captured the total essence of an earlier African-American experience, done in folk idiom and as a result, was ostracized by her contemporaries, like Richard Wright, James Baldwin, and Langston Hughes for being �too country�. She died penniless but the beauty of her work is now being rediscovered and appreciated."

Click image for a selection of links relating to Hurston on the Zora Neale Hurston Teacher Resource File; to visit the website of the Hurston Wright Foundation, click here or for related books on Amazon, click here

MARC'S FAVOURITE MUSIC


THE POGUES

"My absolute favorite band."

Click image to visit The Parting Glass: An Annotated Pogues Lyrics Page; for In the Wake of Medusa, the Pogues official website, click here or for related items on Amazon, click here
JOHN COLTRANE

"Achingly beautiful and deeply spiritual. His music inspired me as a kid. What else can be said about him that hasn�t been already."

Click image to visit the official John Coltrane website; for an overview of Coltrane on the Wild Plave website, click here or for related books on Amazon, click here
ANUNA

"Irish acapella vocal group doing early music in Latin, Gaelic, and English but with fresh new arrangements that sound nothing like other medieval music ensembles. Their voices are celestial."

Click image to visit Anuna's official website; to visit Harro Presser's An�na related site, click here or for related items on Amazon, click here
EVAN CHRISTOPHER

"Young, up and coming clarinet player based in New Orleans, who has turned to earlier pre-jazz musical forms like rag, Cuban Danzon, and the compositions of Louie Moreau Gottschalk. His playing is both funky and timeless."

Click image for a profile of Christopher on the STR Digital Records website; for an profile on The Landing site, click here or for related books on Amazon, click here
FIAMMA FUMANA

"When was the last time you heard a band that was a combination of Italian, Techno, and Celtic? "

Click image to visit the Fiamma Fumana website; for an interview with the band on the Global Village Idiot website, click here or for related items on Amazon, click here

MARC'S ARTISTS AND PHOTOGRAPHERS


WILLIAM HOGARTH

"The original urban painter. �Southwark Fair,� �Gin Street� and �Beer Lane,� says it all."

Click image to visit The Art of William Hogarth website; to visit the William Hogarth Research Site, click here or for related items on Amazon, click here
NA�VE AMERICAN FOLK ART

"Specifically, the work of the Reverend Howard Finster. Insane and incredible imagery - a true original�"

Click image to visit the official homepage of Reverend Howard Finster; for a selection of images by Finster on the Art Tribe website, click here or for related items on Amazon, click here
THE HUDSON RIVER SCHOOL

"Specifically, the work of Frederic Edwin Church."

Click image for selected Hudson River School paintings on the North Net website; to view Marc's favourite Frederic Church painting, 'El Rio de Luz (The River of Light),' click here or for related items on Amazon, click here
JAMES VANDERZEE

"Photographer of the Harlem Renaissance."

Click image for a profile of Vanderzee on the Drop Me Off in Harlem website; for a biography and selection of Vanderzee's photographs on the Michael Rosenfeld Gallery website, click here or for related items on Amazon, click here
HENRI CARTIER-BRESSON

"Whose work taught me about �the captured moment.�"

Click image for a profile of Bresson on the Photo Seminars website; for a selection of Bresson's photographys on the Photology website click here or for related items on Amazon, click here
MICHAEL P. SMITH

"New Orleans photographer, gets the shots that no one else does."

Click image for the Michael Smith Photo Gallery on the Blues Access website; for a selection of Smith's photographs on the Cultural Icons website, click here or for related items on Amazon, click here

OTHER READING


JAMES KELMAN

"A most original writer, also a chronicler of societal misfits."

Click image for 'Walking Among the Fires' - Jane Margetts' interview with Kelman on the Between the Lines website; for a biography and related links on the Scriptorium website, click here or for related items on Amazon, click here
VAL MCDERMID

"A mystery writer whose character development is terrific and unusually detailed for that genre and whose humanity comes through on every page."

Click image to visit Val McDermid's official website; to read Ayo Onatade's interview with McDermid on the Shots magazine website, click here or for related items on Amazon, click here
PATRICK MCCABE

"Whose writing is totally twisted and some of the funniest I�ve read."

Click image to read John O'Mahoney's profile of McCabe on the Guardian Unlimited website; for a biography and and bibliography of McCabe on the British Council's Contemporary Writers site, click here or for related items on Amazon, click here

MESSAGE
BOARD







PLASTIC PADDY
by Marc Goldin





The plane�s wheels bumped a bit, causing him to catch his breath as it touched down in the Belfast airport. He reached down for his bag stowed under the seat and sat, fidgeting for a moment, waiting to get off the plane. It had been a fairly boring, uneventful flight. Particularly unsatisfying was the conversation with the young Derry couple on their way back home from Chicago. All they�d fucking babbled about was the dinosaur exhibit, �Sue, the Tyrannosaurus� at the Field Museum, country and western bars, and a side trip to Florida�s DisneyWorld. With the exception of their accents, they may as well have been American tourists.

What did he expect -- talk of local football matches delivered in flowing prose with a twinkling eye and Celtic harp music swelling in the background?

�Jeez, you�re fucked,� he thought to himself � hard to shake those clich� images, �At least the guy coulda had a Pogues story - small pub in �84, Shane MacGowan annointing the crowd with Guinness.�

He sighed, stretched, and stood up, shouldering his bag and making his way down the aisle. He stumbled a bit � must�ve been the earlier beers on the flight. Realizing where he actually was, he felt that he was at some pivotal point in his life -- a growing sense of his own south-side Chicago Irishness and how it fit in the current Ireland landscape.

1962, JFK�s regime in full flower and Daley Sr. in the driver�s seat in Chicago. Standing next to his father on Western Ave., watching the annual St. Pat�s Parade. Everyone knew that the south-side parade was the legit celebration, the downtown one for tourists. Kids� Irish dancing groups high stepping down the wide street, followed by floats of men�s organizations, his dad�s being the Hibernia Club, the pipe bands in Scottish Black Watch kilts and the city�s various politicians making appearances. Where they marched in relation to Daley indicated their standing and power in the city, probably like the Irish clan chieftains of old. The after parade festivities, going to his aunt�s when he was a boy, then hanging out with his buddies as he got older, in one of the many Western Ave bars, so packed that people were spilling out the doors into the street. He was flooded with iconic symbols of a theme park Ireland, from shamrock and Celtic cross to harp logos and Donegal tweed caps.

�Thanks for flying with us,� the Aer Lingus flight attendant smiled, a shaft of sunlight reflecting off her auburn hair and brass colored nameplate that said �Moira.�

As he walked through the airport, his mood began to lift as the gentle lilt of various regional brogues drifted around him.

�James Devlin, would that be yourself, sir?� inquired the pleasant looking customs man checking him through.

�That would indeed,� he replied, in what he felt was a jaunty tone. The man looked over his passport, asked him where he was staying, and finding everything in order, wished him a good holiday.

The cab ride from the airport to Belfast was not long. He amused himself looking out the window and imagining the countryside a hundred years earlier. The driver, while polite, was silent for much of the trip. He saw a billboard sign on the motorway advertising an internet company and anti-British graffiti scrawled in spray paint on abandoned factory walls. As the cab made its way into the city center, he saw cyber cafes and everyone in the street with cell phones.

Drifting in his memories, he thought about relatives coming back from trips to Ireland, loaded down with Waterford crystal and stories of motoring around the countryside. Everyone agreed that they�d like to go back eventually, maybe retire over there. Ironic how much their ancestors had gone through in getting out a mere hundred fifty years earlier during the Great Hunger. He wondered if it was just talk, if these sons and daughters of immigrants could really give up the abundant lifestyle to which they�d become accustomed. Much later, he�d had friends go over, maybe do a year at Trinity or UCD, and come back talking about the Guinness, the music scene, and chips with curry sauce. They too, had had fantasies about returning but ended up in the U.S., getting richer and fatter each year. For some reason, he�d felt this tug recently, this compulsion to visit Ireland and to see things for himself. He�d jumped at the chance when his company sent him to Belfast to work on a computer start-up, Dublin already being somewhat expensive.

�Here you go, sir,� the cabbie softly interrupting his mist shrouded reverie to hand him his bags.

�Thanks, buddy,� Devlin said, handing him the fare plus a rather generous tip. �Have a pint on me,� he added jovially.

�What the fuck?� he thought suddenly, �Why�d I have to go and make some drink related remark?�

The cabbie looked at him confused, and then as if remembering the part he was supposed to play, brightened, affixing a broad smile to his serious features, though not before several centuries� worth of resignation flashed across.

�I�ll �ave one on you, after me shift,� he replied, in his most pumped up brogue.

After checking into his hotel, Devlin decided on a stroll around Belfast streets. A pub sign caught his eye and after looking in the window, he wandered in. It was the middle of the afternoon and his jetlag was beginning to kick in. He thought a few pints and a shot or two would see him through the disorientation.

Inside it was quiet, a tv on in the background with a Sky Sports football game in progress. Arsenal and Chelsea, a couple of English teams. He noticed a jukebox against a wall and a small raised platform in the corner - figured it was too early for the music. There were only a few men in the place quietly talking. The barman was down at the other end, wiping glasses and following the game. One or two people glanced up as he walked in and took a seat on a barstool but no one paid him any mind. It wasn�t til he spoke, ordering a pint and marking himself as an American that a barely discernable barrier came up. It was nothing that obvious; the conversation simply got softer and more inward.

�Shit,� he thought, clearly expecting a friendlier reception. The barman possibly sensing this, paused after setting down the pint glass in front of him.

�Where yiz from then, mate?�

Desperate for any sort of acceptance, Devlin ignored the slight smarm and responded eagerly,

�Chicago,� but noticing that this really meant nothing to the barman, added, �South side of Chicago, south side Irish, ya know?�

The man looked blank and Devlin was about to say something else when a roar went up from the tv. Chelsea�s striker Zola had just scored against top rated Arsenal � a beaut of a header just past Seaman�s outstretched fingers into the corner of the net. The barman moved back down the bar to see the replay, Devlin all but forgotten.

Devlin gulped his first pint, ordered another, and sat nursing it. He was starting to feel at home. �Yeah, back in Ireland,� he thought to himself, perhaps even a bit smugly, for someone who�d never been. Even the Guinness tasted different, somehow better.

�Yeah, back home.�

Three young fellows sat further away, at a table, talking animatedly. They looked to be tradesmen, their clothes spattered with flecks of paint and plaster. Devlin found himself trying to eavesdrop, somewhat obviously, finished his second pint and ordered a third, with a shot of Jameson�s on the side. Trying to catch their attention, it became apparent that any friendly overtures went unnoticed so he decided to move in, ordering a round of whiskey for all of them.

One of them looked up with a slight smirk, raised his shot glass in mock salute, and said, �Hey thanks, mate�. The other two nodded at Devlin, who saw this as an opportunity to join them. Getting off his barstool, he walked over, a bit unsteadily, and joined them at their table. Through a haze, it occurred to him that this was not a particularly welcome setting and he froze, unable to say anything. An uncomfortable moment passed til Devlin turned to the barman and called for a round of beers; lagers for the lads, Guinness for himself - his voice a little loud for the room at that time of day.

�I�m Jim, Jim Devlin,� he said boisterously, turning back to them.

�Liam,� replied the one who�d originally thanked Devlin for the round.

�Joe.�

�Matty,� the third one mumbled.

�You guys getting off work now?�

�Yeah, ye know, me and the lads stoppin off for a few pints after work,� Liam replied, the other two not saying anything but stifling a giggle. Liam continued, �We work for Monaghan Construction - a local outfit. We�re rehabbing a space that�s going to be a new office complex for some big time American computer company.�

�Sure, the money they�re spending on doin this place,� Matty interjected, �seems like they got a lot to throw around - should see the stuff we�re puttin in.�

�I�m over here to help set up a computer company, probably not the same one,� Devlin said defensively, �Hyperion�s the name of my group.�

Liam looked startled, �Hey, I think that�s who we�re doin,� he stared hard at Devlin for a moment, �But ahhh, what the fuck - who cares, eh?�

An uncomfortable second or two; Devlin spoke up, glad for the out.

�Yeah, what the fuck.� He turned back to the bar,

�Hey, yo buddy,� to the barman, � nother round here,� - louder than before, getting drunker. This went on for a couple more rounds, Guinness and jetlag double-teaming Devlin, beginning to put him on the ropes. He�d always considered himself a fairly stalwart drinker, brawny Irish-American lad and all � hadn�t reckoned on how lack of sleep and local brew would do his head. Even though he was buying, the three soon tired of this � just another workday to them � and started shuffling around, getting ready to leave. Devlin, realizing that his new drinking buddies were about to go opened his bleary eyes wide and bellowed,

�Hey, where the fuck you guys think you�re goin?�

Joe and Matty looked startled and glanced over at Liam, who said,

�Hey look mate, we�re takin� off - some of us gotta work the morrow.�

�We�re just gettin started,� Devlin still not comprehending, �Let�s go somewhere else.�

Matty looked over at Joe, who giggled nervously and started making for the door, followed by the other two.

�See ya, mate, thanks,� called Liam from the door.

They were out in a second, Devlin seeing his evening�s entertainment fading away. Feeling a bond with his new drinking mates, he jumped up noisily, his chair falling back, and ran to the door in pursuit. The barman looked after him and then at the chair on the floor.

�Poxy American cunt,� he muttered.

Meanwhile, the three had gotten about a half a block away when Devlin caught up to them, winded from his sprint.

�Hey, ya can�t call it quits this early,� he gasped hoarsely.

�Ahhh, mate � we�re done the now,� Liam trying to be diplomatic - fatigue, lager, and annoyance starting to show. Devlin, still pushing on unawares, tried again, more aggressively,

�C�mon you pussy motherfuckers, I thought you guys could drink!� putting a hand on Liam�s shoulder.

�Wait a minute ye fookin bastard,� Liam snapped, dropping all pretenses. The other two lads tensed next to him.

�Hey, I was just kiddin, can�t ya take a �..�

Slammed into a wall, Devlin�s head reeled as Liam grabbed him, reeled again as Liam nutted him across the bridge of his nose. Blood started to drip down his shirtfront.

Devlin raised his hands instinctively to fend off any further blows but Matty and Joe moved in, each grabbing an arm and holding it fast. He opened his mouth to protest but Liam stiff-armed him in the stomach and all that came out was air.

Devlin went limp at that point, falling back against the wall as Liam rained a few more into him. Looking at his two mates, he gestured with his head. Both nodded, each letting go of an arm, as Devlin slid down the wall, slumping over.

The three started to leave - Liam hesitated, aiming a kick at Devlin. Joe stepped between them.

�C�mon man, fuck �im. Let�s go.�

Liam looked over at Devlin disgustedly.

�American yuppie cunt,� he spat. They left.

Somewhere rattling round Devlin�s brain was the Clancy Brothers� version of, �Whiskey, you�re the Devil�. It played over and over through his fog.

Getting it together, some hours later, in his hotel room, Devlin can�t quite remember making it back and cleaning up. His body is fairly sore. There are a few flashes of memory � passersby looking at him and moving on, the sight common as dirt. In fact, this is nothing compared to what they�ve seen on the streets of Belfast. Ultimately, one old lady stops and bends over him, asks if he�s alright. Pulling out a hanky, she starts to wipe his blood off � Devlin bitterly waves her away, wonders what her angle is, checks his pockets after she goes.

That evening, as Devlin stumbled out of the hotel, the man at the desk hailed him.

�Evening, sir. How�re we doing tonight? Can I get you a taxi or something?�

Devlin noticed that his nametag said Brendan and that he was about sixty and pleasant looking, with alert blue eyes.

�No, I don�t think so,� he replied sharply. He thought, �Fuck off, what do you want? Probably a tip.� Without another word, Devlin pushed past him, out to the pavement.

Looking after him, Brendan took a moment to reflect on what a curious lot these Irish-Americans sometimes were. He wondered what it was that they were looking for. What did they expect anyway? They seemed to walk around as if in a fantasyland, not quite in sync with the reality here. Watching Devlin�s receding figure, he thought about how different life must be over there and how much they�d lost in the leaving.


� Marc Goldin
Reproduced with permission





MARC�S MISCELLANEOUS FAVOURITES:



MAIGHREAD MEDBH



"I had several of my book reviews published by a now defunct Irish lit site (local.ie). The lit. editor of the site, Maighread Medbh was kind enough to take my submissions. She is a wonderful poet and writer herself"

Click image to read about Medbh's poetry collection, 'Tenant' on the Salmon Poetry site; to read Medbh's poem, 'The Price that Love Denied' on the Magdalene Story website, click here; to contact Medbh directly on the Mother Millennia site, click here or for related items on Amazon, click here



THE LAST TEMPTATION OF CHRIST



"Both Nikos Kazantzakis� book and Martin Scorsese�s film. A life changing experience."

Click image to read Christine Iannone's article, 'The Last Temptation Reconsidered' on the First Things site; for an extract from Kazantzakis's novel on the Thoughts Worth Thinking site, click here; for Steven D. Greydanus's article on Scorsese's film on the Decent Films website, click here; for David Ng's review of the film on the Images Journal site, click here or for related items on Amazon, click here



UNDERGROUND COMICS AND GRAPHIC NOVELS



"Of course R. Crumb is the father of them all and whose work made me see things differently. Two newer artists I like: Chris Ware � 'Jimmy Corrigan' series and Daniel Clowes � 'Ghost World' and 'Eightball' series."


ROBERT CRUMB

Click image to visit The Crumb Museum website; for the Official Robert Crumb website, click here; for a biography and selected bibliography of Crumb on the Fantagraphics Books website, click here; for the Looking for Crumb website, click here; for the Robert Crumb unofficial fan site, click here; for a Robert Crumb chronology on the Sony Classics site, click here; for Steve Burgess's profile of Crumb on Salon.com, click here or for related items on Amazon, click here



CHRIS WARE

Click image for biography and selected bibliography of Ware on Fantagraphics website; for a bibliography of Ware's published comics on the Acme Novelty Warehouse site, click here; to visit the Chris Ware Resource site, click here; for a short profile and images by Ware on the Lambiek website, click here; for links related to Ware and the 'Jimmy Corrigan' book on the Random House website, click here; for the From the Mind of Chris Ware website, click here; for Andrew Bird's interview with Ware on the Brave New Waves site, click here or for related items on Amazon, click here



DANIEL CLOWES

Click image for a biography and selected bibliography of Clowes on the Fantagraphics website; for Corina Chocano's interview with Clowes on the Salon.com website, click here; for a biography of Clowers on the X Roads website, click here; for the World of Daniel Clowes website, click here; for Craig Elliot's interview with Clowes on the More Goat Than Goose website, click here; for a selection of images by Clowes on the Lambiek website, click here; for a profile of Clowes and the book, 'David Boring' on the Random House website, click here or for related items on Amazon, click here



© 2005 Laura Hird All rights reserved.