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Kyoko Gardiner



SHOWCASE @laurahird.com

To read Kyoko's showcased short story, 'Tuesday Afternoon' click here


 


Kyoko Gardiner was born in Tokyo where she grew up collecting beetles and dragonflies in her skirt pocket and dreaming of becoming the colour orange. During her teens she gained a habit of travelling around and she has spent time in various places including Iowa, Dublin, Cannes and Amsterdam, while managing to attend several universities until gaining a PhD in cultural studies and art theories from University of Tokyo. Living with a bunch of anarchists in Stockholm in the early 90s Kyoko started making small sized paintings and exhibiting them. Since then she has been producing artworks and has been exhibited internationally. When she is not making artworks she is working as a post-doctoral researcher writing about feminist art practices and psychoanalysis. It is only recently that she started producing artworks in textual form, and this shown here is one of them. She lives between Tokyo and Glasgow.


KYOKO'S INFLUENCES:


TOVE JANSSON'S MOOMINTROLL STORIES

Click image to visit the Moomintroll Homepage; for Ros Coward's article on Jansson on the Guardian Unlimited website, click here or for related items on Amazon, click here


MAX ERNST'S COLLAGE NOVELS

Click image to read an article on Ernst's collage novels on the Art of the 20th Century website; for the Max Ernst.com website, click here or for related items on Amazon, click here


JAN SVANKMAJER'S SHORT FILMS

Click image to visit the Alchemist of the Surreal website; for the Jan Svankmajer Homepage, click here or for related items on Amazon, click here


GERHARD RICHTER'S ATLAS

Click image to read about Richter's Atlas on the Dia Art Foundation website; to read more on the New School International Art Tour website, click here or for related items on Amazon, click here


NICK CAVE'S LYRICS AND ARTICULATION

Click image to read Peter Murphy's interview with Cave on The New Review section of this site; for Murphy's review of Cave's 'Abattoir Blues', click here or for related items on Amazon, click here


JACQUES DERRIDA'S UNDERSTANDING OF GIFT AND PARDON

Click image to visit the Derrida Online website; for the Remembering Jacques Derrida website, click here or for related items on Amazon, click here


FILMS EVERYONE SHOULD WATCH:


DUMBO

Click image to read about the film on the Disney Archive website; to read Emily Woodward's review of the 60th anniversary DVD of the film, click here or for related items on Amazon, click here


DAISIES (Sedmikrasky)

Click image to read about the film on the British Film Institute website; to read about the film on the Banned and Censored Cinema website, click here or for related items on Amazon, click here


TIME OF THE GYPSIES (Dom za vesanje)

Click image to read about the film on the 1 Word Festival website; for Damian Cannon's review of the film on the Film U Net website, click here or for related items on Amazon, click here


BREAKING THE WAVES

Click image to read Bryant Frazer's article on the film on the Deep Focus website; for Irena S. M. Makarushka's essay, 'Transgressing Goodness in Breaking the Waves' on the Journal of Religion and Film website, click here or for related items on Amazon, click here


ALL ABOUT LILY CHOU CHOU (Riri Shushu no subete)

Click image for a review of the film on the Off Off Off Film website; for Andrew Heher's review of the film on the Salon.com site, click here or for related items on Amazon, click here





SONGS OVER MY SUNKEN GARDEN

by
Kyoko Gardiner




Chapter 1


She was like you. At five thirty, she opened the door and turned on the light. There was nothing in the post. There was some water left in the kettle. No one had called. It was still day outside and some kids passed by the window making kids� noise. She took her shoes off and made herself a tea and thought maybe she should get a cat. At five forty-five she kicked the pile of books underneath her and felt good about it.


Chapter 6


The postman was late today and he didn�t come until a few minutes past ten.


Chapter 9


She hoped that he would call. She sat by the table and waited. She felt good that she could wait without getting irritated or nervous. She thought that the relationship was now a mature one and that she could wait patiently and feel good with herself. She made herself a tea and made him one too. His shirt was still on the floor where he threw it. She thought about picking it up then decided against it. On the fifth day she drove over to his place and stabbed him four times in the chest then blacked out. She is in a maximum security institution. She told me that she�s forgiven herself and that�s all that matters.


Chapter 14


Excuse me, I am lost, could you help me, she said. Can I help her? But who isn�t lost? The city keeps changing all the time, the streets are never the same! I don�t know where I�ve come from and I don�t know which way I�m going and can I help her? Can I fuck.


Chapter 22


She was helplessly in love. He was everything she wanted in a man. He had a great smile. He made good money. He was funny yet could be trusted to handle important matters. He treated her well and he treated her mother well. She thought she wanted to spend the rest of her life with him. She thought he would make a great father. She was sure. She was sort of sure. What if he went bald? What if he started watching TV drinking beer all the time, and smelling like exhausted middle-age men smelt like on commuter trains? She�s marrying him tomorrow.


Chapter 27


People always think God does everything but don�t realise that without me he�s just an old blower. It�s me who smiles to get your attention. It�s me who flies down to you and sprinkles you with gold powder. I�m soft and cuddly like a teddy bear but look at God, he�s all skin and bone. God�s nobody without me. People don�t know that. God doesn�t know that. I�m sick of it. I�m going to teach Him a lesson tonight.


Chapter 30


He worked in a line in a factory. He didn�t know what it was that the factory made. His job was to turn the yellow dial 90 degrees to the right. He had to turn 75 yellow dials a minute or he would be holding up the line. He got a 30 minute break for his lunch. His lunch was a jam piece. Sometimes he got a papercup of thin coffee that looked and tasted like coloured water. He finished at six thirty and went straight home and watched TV till he fell asleep. He felt that he might not be alive. The next day before work he went to the factory manager�s office and asked if he was alive. The manager said of course not, now shut it and get back to your line.


Chapter 34


I went around to her place. There was a guy sitting on her sofa. She didn�t offer me coffee. Some minutes passed. I asked her if I should leave. She smiled and said, yes.


Chapter 38


I always meant to ask her why she found me attractive.


� Kyoko Gardiner
Reproduced with permission



Kyoko�s Top Five Exciting Artistic Experiences This Week:


Listening to Six Organs of Admittance's album 'School of the Flower'

Reading Michael Gardiner's short stories collection 'Escalator'

Eating chocolate cake my aunt bought me

Trying on a dress by Preen

Watching Todd Solondz' film 'Palindromes'



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