To read Paul Summers' review of Keith's poetry collection, 'Imagined Corners' and other comments on Keith's work on The New Review section of this site, click here
Keith Armstrong has worked as a community-arts development worker, poet, librarian and publisher. A founder of Ostrich magazine, Poetry North East, Tyneside Writers' Workshop, Tyneside Poets, East Durham Writers' Workshop, Tyneside Trade Unionists for Socialist Arts, Tyneside Street Press and the Strong Words and Durham Voices community publishing series, he has been poet-in-residence in Durham, Easington, Sedgefield, Derwentside, Teesdale, Wear Valley, Chester-le-Street, Sunderland and the Hexham Races. He lives in Whitley Bay.
His publications include Pains Of Class, Dreaming North, The Jinglin' Geordie, The Darkness Seeping, Poets' Voices, The Big Meeting: A People's View of the Durham Miners' Gala, The Town of Old Hexham, Old Dog On The Isle Of Woman and Bless'd Millennium: The Life & Work Of Thomas Spence. His music-theatre collaborations include O'er the Hills (Dreaming North), Wor Jackie (Northumberland Theatre Company), Pig's Meat (Bruvvers Theatre Company) and The Roker Roar (Monkwearmouth Youth Theatre Company). Several of his songs have been recorded by Durham indie-folk-punk band The Whisky Priests.
KEITH'S INFLUENCES:
FRIEDRICH HOELDERLIN
Click image for a biography and bibliography of Hoelderlin on the Kirjasto website; for James Mitchell's translations of a selection of Hoelderlin's poems, click here or for related items on Amazon, click here.HERMANN HESSE
Click image for Hesse biography, bibliography, extracts and links on the Corduroy website; for the University of California's Hermann Hesse page, click here or for related items on Amazon, click hereBERTOLT BRECHT
Click image to visit the International Brecht Society website; for a biography and bibliography of Brecht on the Kirjasto website, click here or for related items on Amazon, click here.CHARLES BAUDELAIRE
Click image for a biography of Baudelaire on the Empire Zine website; for a profile of Baudelaire on the Books and Writers site, click here or for related items on Amazon, click hereJACQUES PR�VERT
Click image to visit the Homage to Jacques Prevert website; to read the article 'Jacques Prevert: The Unfettered Poet' on the Belles Lettres website, click here or for related items on Amazon, click here.VLADIMIR MAYAKOVSKY
Click image for the Mayakovsky and His Circle website; for a biography and bibliography of Mayakovsky on the Kirjasto, click here or for related items on Amazon, click here
KEITH HAS ORGANISED LITERARY EVENTS FEATURING (AMONGST OTHERS):
YEVGENY YEVTUSHENKO
Click image for a profile of Yevtushenko on the Boppin website; for the Zima Station website, dedicated to Yevtushenko, click here or for related items on Amazon, click here.DOUGLAS DUNN
Click image to read about Douglas Dunn on the British Council's Contemporary Writers site; for a selection of reviews of Dunn's books, click here or to view related books on Amazon, click here Photo - Fay GodwinBARRY HINES
Click image for an interview with Hines on the BBC South Yorkshire website; for a further BBC South Yorkshire interview with Hines, click here or for related items on Amazon, click here.LINTON KWESI JOHNSON
Click image to visit the Official Internet Site for Linton Kwesi Johnson; for Billy Bob Hargus's 1997 Furious interview with Johnson, click here or for related items on Amazon, click here.KATRINA PORTEOUS
Click image for a short profile of Porteous on the Independent Northern Publishers website; to read Porteous's poem, 'The Pigeon Men' on the Corrugated Iron Club website, click here or for related items on Amazon, click here.IAN MCMILLAN
Click image to visit the Ian McMillan Website; for a profile of McMillan on the British Council's Contemporary Writers website, click here or for related items on Amazon, click here.PETER MORTIMER
Click image to read 2 poems by Mortimer on the Real Poetik website; for a review of Mortimer's 'The Expanded Utter Nonsense' on the New Hope International website, click here or for related items on Amazon, click here.BRENDAN CLEARY
Click image for short biography of Cleary on the Bloodaxe website; to read Cleary's poem, 'The Resident,' click here; for Cleary's top 10 tips on starting to write on the BBC1 website, click here or to view reviews of Cleary's work, and leave your own on Amazon, click hereIVOR CUTLER
Click image to visit the Works of Ivor Cutler website; for Will Hodgkinson's 2004 Guardian Unlimited interview with Cutler, click here or for related items on Amazon, click here.LIZ LOCHHEAD
Click image for a biography of Lochhead on the National Library of Scotland website; for Lesley McDowell's Independent interview with Lochhead, click here or for related items on Amazon, click here.PLUS:
Edward Bond, Edwin Morgan, Uwe Kolbe, Attila The Stockbroker, Jon Silkin, Paul Summers, Adrian Mitchell, Julia Darling, Jackie Kay, Linda France, Frank Messina, Ron Whitehead, Benjamin Zephaniah, The Poets From Epibreren, Tsead Bruinja, The Poetry Virgins, The Poetry Vandals....
Drifting in moonlight,
the dunes sing their songs.
Wings of old battles
fly all night long.
Cry of the seagulls,
curse of the ghosts;
aches of dead warriors
scar this old coast.
Hover the kestrel,
sing out the lark,
we will be free in our time.
This air is our breath,
this sea is our thirst
and our dreams are sailing home.
Wandering through castles,
their walls are our lungs.
Seaching for freedom
in country homes.
Forbears and old cares
blown in the wind;
pull of loved harbours
draws our boats in.
Surge of the salmon
and urge of the sea
leaps in our local blood.
Peel of the bluebells
and ring of bold tunes
reel in all those grey years.
Slopes of the Cheviots,
caress of the waves.
Shipwrecks and driftwood
float in our heads.
Pele-stones and carved bones
hide in these hills,
roots of new stories
in ancient tales.
Dew on our lips
and beer on the breath,
drinking the countryside in.
Bread of the landscape
and wine of this earth,
flows on these river beds.
Drifting in moonlight,
the dunes sing their songs.
Wings of old battles
fly all night long.
Cry of the seagulls,
curse of the ghosts;
aches of dead warriors
scar this old coast.
Hover the kestrel,
sing out the lark,
we will be free in our time.
This air is our breath,
this sea is our thirst
and our dreams are sailing home.
� Keith Armstrong
NAKED!
(for Spencer Tunick & his followers)
Naked at the conference table
naked
naked on a beer label
naked
naked in Iraq
naked
naked on the bloody rack
naked
naked as torture
naked
naked as a Baghdad butcher
naked
naked to a public school
naked
naked as a pubic fool
naked
naked in a Gateshead alley
naked
naked as a nuclear family
naked
naked as a pub dart
naked
naked as a bleeding upstart
naked
naked in the corporate office
naked
naked on the bleeding coalface
naked
naked to a stupid war
naked
naked as an arts whore
naked
naked as a councillor in hock
naked
naked as a business hack
naked
naked as I can�t be arsed
naked
naked in a uk farce
naked
naked as a Brendan Foster
naked
naked as a duty roster
naked
naked as a boomtown rat
naked
naked as a poetry brat
naked
naked in the supermarket
naked
naked as a sitting target
naked
naked as the bomb
naked
naked in a Bosnian womb
naked
naked in the Belsen darkness
naked
naked in our wilful blindness
naked
naked under manipulation
naked
naked under a brain tarpaulin
naked
naked as an artist�s prop
naked
naked in the cop shop
naked
naked at the wrong time
naked
naked at the pantomime
naked
naked in the Lottery Gallery
naked
naked as a stick of celery
naked
naked as a stripper in the club
naked
naked as a bourgeois shrub
naked
naked as a strapping Geordie
naked
naked as a gunning Saudi
naked
naked in an Utrecht gutter
naked
naked as a poor kid�s stutter
naked
naked as a star on tele
naked
naked as a starving belly
naked
naked!
� Keith Armstrong
WITH MRS PAGAN IN HEXHAM ABBEY
Mrs Pagan,
every farmer�s boy�s favourite housewife,
insists
I sit beside here
on her personal casting-bench
outside the holy Abbey.
She has a lecherous anthem
on her frantic tongue
and she breathes it into my pricked ears
as her wet hands pray
for more
and more
inside her.
Mrs Pagan
wears that wicked skirt,
indecently short,
for prayers
and she moves in an irreligious way
against me
letting me know,
so very slowly,
that her soul is naked
underneath.
She�s wearing her red high-heels
as she pulls me
into Church
and her steps echo
over the centuries
when she leads me up the tottering night-stairs
to a nook
where she can kiss me.
Mrs Pagan�s
rapid fingers
tease my pulse:
�I�ve always been
an organ-lover,�
she tells me,
with her hot lips.
�You�re a very naughty choir-boy,� she drools
in my left ear.
�Let�s share a dirty hymn-book,
I want your singing spirit in me.
I want to feel your healing hands
on my massive arse
as I scream for Mercy.�
Mrs Pagan
must be
my favourite Hexham housewife
and she looks a little flushed
as she clip-clops with me
from the Abbey.
Ever since she came
of Age,
she�s worshipped Sex,
and I thank God
for her lovely breasts and swollen buttocks
which my shaking hands grab
so gratefully
inside the Abbey grounds.
I have to say
That Mrs Pagan�s Sunday School�s a joy
and her Bible lessons drive me wild.
I simply love
the filthy looks she gives me
every Daily Service;
and now I�m back with her,
on her spartan bed,
I will praise her
and bless the Lord for all the miss-prints,
all the snogs and songs
she lays
on me.
� Keith Armstrong
MY LADY DENTIST
My Lady Dentist
she fills me
with a desperate longing;
bending over me,
in her clean white tunic,
the smell of her
sets my teeth
on edge;
she drills
a sense of danger into me;
I can only salivate,
eyes popping,
as her dark hair brushes
over my face.
She stabs my gums,
makes my mouth
bleed kisses
on the National Health.
She pulls
and grinds,
and I can taste her
on my lips.
My Lady Dentist,
are all our dreams so false?
Or is it you,
in this anaesthetic haze,
wrapping your rubber gloves around me,
licking me better,
with my blood
on your tongue?
� Keith Armstrong
MARSDEN ROCK
Sensational Rock,
swimming in light.
Bird-cries clinging to ancient ledges,
Kittiwakes smashing against time.
What tales you could tell.
Your face is so moody,
flickers with breezes,
crumbles in a hot afternoon.
Climbing your powdery steps,
we look down on the sea
thrashing at you.
We join a choir of birds at your peak,
cry out to the sky
in good spirits.
Nesting for the sake of it,
our lyrics are remnants on the shore.
We keep chipping away,
do we not?
We slip
through the pebbles,
splashing
with babies.
We leave our mark,
a grain
on the ancient landscape.
We go.
We dance like the sunlight
on your scarred body:
tripping,
falling,
singing
away.
� Keith Armstrong
NIGHTJARS AND THEIR ALLIES
(for K.)
The nightjars and their allies
have their heads down in the woods today,
dreaming of wild nights,
a chance to sing on the flickering wing.
And you my dark-haired songstress
could writhe naked on a bed of their feathers
as I touch with my aching fingertips
the tips of your sprawling bliss
in all that lushness between the trembling trees.
For you are dusky,
silky-tailed and
white-winged;
you are my European Nightjar
churring as I make you
spring to life in shivers of moonlight.
White-throated and golden,
star-spotted and black-shouldered,
you straddle your strapping limbs around me,
wrap my leaping heart in charcoal ribbons,
fly me screaming in a flock of black birds
and drench me
with jars of night song.