Eveline Pye




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Eveline Pye was born in Glasgow and studied Statistics at Glasgow University. After graduation, she left Scotland to work as an Operational Research Analyst in Nchanga Consolidated Copper Mines in the Western Province of Zambia. She lived in Kitwe for 10 years and still gets homesick when she smells a mango. After Africa, Eveline did the mother thing in Dumfries and wrote her first poem at a creative writing evening class run by Hugh McMillan. Since then she has been lecturing at Glasgow Caledonian University, bringing up her sons and studying for a Masters in Psychology in her spare time. She won the Boyd prize for Achievement in Education, last year, and is currently researching �Fear of Failure�. In her occasional free moments, she writes a poem and longs for a time when that's all she has to do. Her work has been published in Chapman, West Coast, The Herald, Northlight, Understanding, Northword, Cutting Teeth, Orbis, Writing Women, Nerve and A Strange Place � Anthology of Paisley Writers etc.


EVELINE'S INFLUENCES:


CAROL ANN DUFFY

Click image for a biography, bibliography and critical perspectives of Duffy on the British Council's Contemporary Writers site; to read Clare McEwen's article, 'Knowing who we are, and finding a way to tell ourselves: Carol Ann Duffy's Revision of Masculinist Representations of Female Identity,' on the Strathclyde University website, click here; for a selection of online poems by Carol Ann Duffy, click here; for Jane Bentham's interview with Duffy on the Young Writer website, click here or for related items on Amazon, click here.
LIZ LOCHHEAD

Click image for a profile of Lochhead on the British Council's Contemporary Writers website; for a biography of Lochhead on the BBC's Writing Scotland website, click here or for related items on Amazon, click here
MARJORIE OLUDHE MACGOYE

Click image for a review of Macgoye's 'Coming to Birth' on the Book Counter website; for the article 'Macgoye's Gift to Writing And National Awareness,' on the All Africa website, click here or for related items on Amazon, click here
GERALD MANGAN

Click image to order John Whitworth's 'From the Sonnet History of Modern Poetry' illustrated by Mangan; for Mangan's review of Cecil Brown's 'Stagolee Shot Billy' on the Powells.com website, click here or for related items on Amazon, click here
VALERIE GILLIES

Click image for a profile of Gillies on the British Council's Contemporary Writers website; to read about Valerie on the Creative Scotland Awards website, click here or for related items on Amazon, click here
EDWIN MORGAN

Click image to visit the official Edwin Morgan website; for Alexander Hutchison's article'Glasgow Concrete: Edwin Morgan' on the Culture Court website, click here or for related items on Amazon, click here
HUGH MCMILLAN

Click image for a review of McMillan's 'Mac the Rabbit' on the New Hope International website; to read a review of McMillan's 'Aphrodite�s Anorak' on the New Hope International website, click here or for related items on Amazon, click here

ANGELA MCSEVENEY


HENRY NORMAL

Click image to read John Citizen's interview with Normal on the Poetry Society website; for a biography and bibliography of Normal on the Obsolete website, click here or for related items on Amazon, click here
BRIAN WHITTINGHAM

Click image for a selection of poems by Whittingham on the West Coast Magazine website; to read about Whittigham's 'Drink the Green Fairy' on the Luath Press website, click here or for related items on Amazon, click here

THINGS EVELINE LIKES:


ZAMBIA - MOSI-OA-TUNYA � sometimes called the Victoria Falls, Luangwa National Park

***

READING OTHER PEOPLE�S POEMS OUT LOUD � �Warming her Pearls� by Carol Ann Duffy is my favourite for reading aloud

***

PAISLEY WRITER�S GROUP � meets in Paisley Library, 7pm, Monday night

***

PROSE � Anita Shreve, Anne Tyler





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SELECTED POETRY

by
Eveline Pye






CULTURE SHOCK


At the butcher�s shop
the pigs� heads line up
on the top shelf,

stare straight ahead
indifferent,
like Lords of the Flies.

A legless man
has a plank of wood
with wheels

and dark red bandages
around his fists.
I want to close my eyes.

A young boy grabs my bag.

He is so dirty
his black skin looks grey.

I hold his wrist
and hit him. He is too weak
to fight.

Snakes try to bite my naked feet.
I want to beat them off
with a stick.


� Eveline Pye





TIMES OF ZAMBIA

(Friday, June 25 1982)


I


�Stop forcing women to marry you
in return for medical treatment�

The traditional healers association
appeals to unscrupulous herbalists.


II


Chief Mukuni is to demolish
a shanty township

for harbouring criminals
pretending to be fishtraders.

These people have no rights because
they have no registration cards.


III


The defence of intoxication
by alcohol and drugs

was ruled out by the judge.
Three Mongu villagers

are sentenced to death
for killing the witch doctor.


� Eveline Pye






THE ROYAL PRINCE


We worked together
in the office at the end of the corridor -
the white woman
who was supposed to be
some kind of a mathematician
and the black man
who said he was a royal prince.

He would talk of the Lozi tribe
his father, the Litunga
who wore a leopard skin
as he sat in the royal barge
leading the procession upriver
before the rains.

I would describe a childhood
of winter winds and snowmen,
icicles and frosted windows,
hot fires,
draughts and chilblains.

One day, I spoke
of the Union with England
and the Scottish Lords
selling out a heritage
for bags of gold

and he showed me a picture
of his great, great grandfather
smiling, as he signed away
the mining rights
of the entire Lozi nation
for two thousand pounds a year.

The face in the photograph
was the same as his -
all dressed up
for an English coronation
in a top hat and frock coat.

He was carrying a club
on its head
the carving of a lion.

� Eveline Pye






LOCUSTS


Lunchtime,
I see him catching locusts
tearing off wings
cramming them
into a paper bag.

All afternoon
they rustle on his desk.

I think he must hate locusts
even more
than he hates snakes.

I imagine a famine,
crops devastated,
a hungry child crying,

but I�ve got it wrong
he likes them -

deep fried
with green bananas.


� Eveline Pye





RESPECT


The news begins, as usual,
�Today President Kaunda said...�
Then, the words stop coming.

The newsreader�s hands
reach out, as though he�s begging.
He screams one word:

�Father�, and then grief
streams out of him. I stare at his floral tie
wait for someone to pull the plug

but no one does. This is Africa.
Here, grief demands respect.
I sit in front of the television set,

stunned - unable to move
as a layer of time, a protective skin,
is stripped away.

� Eveline Pye






A MASSIVE YES VOTE


The Party will no longer
tolerate candidates
who insult it, or its leadership.

With the exception of MPs
holding high posts in the party,
campaigners speak as though

they were in opposition.
People do not want to hear
about imaginary corruption.

You are free to campaign
for the re-election of the President.
One Party - One Nation.

� Eveline Pye





THE LUNAR RAINBOW

(Friday, June 25 1982)


I walk down the darkening path
to the Victoria Falls -
through a wilderness of bushes
long grasses, and Vervet monkeys.

Daylight leaves,
like a flock of flamingo
startled on a land-locked lake.
I hear the sound of beating wings
as water falls on stone.

On the edge of the chasm
touching the sucking beauty
of death, I see colours
in the black and silver sky.

An arc of pale pastel hangs
in the moonlight. Smiling,
loving the impossible,
I hate the reality of morning.

� Eveline Pye






LEAVING AFRICA


I

All day, I sit by the waterhole
preparing myself. A hippo senses
coolness in the air, drags her body
out of mud. A leopard comes alive

and falls out of the Baobab tree.
The last Kudu twists his corkscrew horns
up to the sky, and heads off into the bush.
It�s time to leave the village.

You appear, head shaved in grief,
ask me to stay� one more time.
You are shouting and crying as I tie
the child to my back. The Land Rover

comes in clouds of dust.
A snake discards its skin
and emerges smooth as an eel.
I am quietly peeling off years of love

shedding my black skin. You never see
but underneath, I am red raw
bleeding from the loss of you
slithering in dry sand.

� Eveline Pye






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