David LaBountys poetry has recently
appeared in Boston Literary Magazine, Zygote in my
Coffee, The Cerebral Catalyst, Autumn Sky Poetry, Four
Volts and forthcoming in remark, Pemmican, Vintage
Poetry Journal and Azul. His bio is unliterary. He was
in the navy (and stationed in Edzell, Scotland for two
years, worked in a Nevada gold mine and also as a
reporter, a mechanic and a salesman.
DAVID'S INFLUENCES:
RAYMOND CARVER
Click image to visit the Raymond Carver Website, including bibliography and links; for two interviews with Carver on the Prose as Architecture site, click here or to view his books on Amazon, click here
MICHAEL ONDAATJE
Click image to visit the Michael Ondaatje Information Page; for an interview with Ondaatje on the Powells website, click here or for related books on Amazon, click hereCORMAC MCCARTHY
Click image to read Marc Goldin's review of McCarthy's 'The Road' on the New Review section of this site; for the Cormac McCarthy Homepages, click here or to view his books on Amazon, click here
CHARLES BUKOWSKI
Click image for Graham Rae's review of 'The Bukowski Tapes' on the New Review section of this site; for biography and poetry by Bukowski on the Beat Page, click here or for related books and cd's on Amazon, click hereCHUCK PALAHNIUK
To visit The Cult: The Official website of Chuck Palahniuk, click image; for an interview with Palahniuk on the Powells website, click here or to order the book on Amazon, click here.
DAVID'S TOP 5 MUSICIANS:
WILCO
Click image for Chris Killen's article on Wilco's 'I Am Trying to Break Your Heart' on the Devil Has All the Best Tunes section of this site; to visit Wilko's official website, click here or to view his books on Amazon, click here
LEONARD COHEN
Click image for the official Leonard Cohen website; to read Michael Gardiner's article on Cohen's 'Seems So Long Ago, Nancy' on the Devil Has All the Best Tunes section of this site, click here or to view his work on Amazon, click hereBOB DYLAN
Click image to visit Bob Dylan's official website; to read Glenn W. Cooper's poem about Dylan's 'Blonde on Blonde' on the Devil Has All the Best Tunes section of this site, click here or for related music on Amazon, click hereGRAHAM PARKER
Click image to visit the Graham Parker website; for a profile of Parker on the Wikipedia website, click here or to view his work on Amazon, click hereVAN MORRISON
Click image to read Steve Wheeler's article on Morrison's 'Inarticulate Speech of the Heart' on the Devil Has All the Best Tunes section of this website; to visit Morrison's official website, click here or for related music on Amazon, click here
Homogenous
they stood
in front of
the dairy
section head
to toe in winter
running gear
skin tight
and black
and he said
with his
wire-rimmed
glasses, let's do
Mexican
this week,
I can get that
taco mix and
mix it with tofu
and they have
that shredded
organic cheese.
No, she said sharply
cheekbones sharp,
we're not doing
that this week and
she saw that I was
staring so she
lowered her
voice and told
her husband
exactly
what they
would be doing
that week and their
baby sat in the grocery
cart, eyes glassy,
nose running yellow
and thick and it
smiled at me, its
lips stretching
the crusty skin
between
its mouth and
raw raw
nose.
It doesn't matter that
everyone knows
someone
that can't find a job.
And it doesn't matter
that houses are for sale
for months and years
and it doesn't matter
that I can't afford this
but I'm waiting an hour
and a half and it's a
Friday night and I'm
waiting to get into
a restaurant and me
and the wife and kids
are in that throng of
people packed in the
front of the restaurant
like cattle on their
way to the slaughter
waiting for a table
waiting for that
steak or chicken or burger
and I'm waiting for the
two three beers and even
though I can't afford it
like everyone else
I feel that I
deserve it.
I can tell it's starting
to end by the way
she loads the dishes
into the dishwasher
and by the way she
doesn't look at me
when we talk. I can
tell it's over by the
way her smile fades
as I enter the room
and I can definitely
tell the end is
way past due
by the way she
stabs her food
with her fork.
It is an empty school
another closed and
empty school
as all the children have
moved away from here
for suburbs greener
and grander and the
dead school
is used for evening classes
and daycares and I sit
in the narrow hallway
of echoing and nasal
voices of mothers and
fathers talking about
themselves and I
read Litany while my
sons are in kung-fu class
and there are chills and I
admire Collins.
I admire Collins
and I picture him
in Connecticut or the
Hudson Valley or
someplace that I'll never
afford
and I wonder
what he would think
if he knew he was
here, in a dying suburb
in a dead school
while my kids practice
kung-fu and there
are chills because
I am the
evening paper
blowing down an alley
and my wife, she's
always
the bread and the knife.
Black with guilt
and I'm always
black with guilt
and that's what
comes with having
a job that requires
you to lay a little
bullshit on your
customers and
a little bullshit
on your
employees
and
the bullshit
is nothing more
than little
white lies
harmless lies
forgettable lies
and that's the
problem.
I always
forget about
the lies I've told
and sometimes
that thinking
comes home
with me and
the guilt
the black guilt
comes when I lie
to my
kids
and five
and six
they
catch me.
You might find yourself here,
you might find a version
of yourself here, a version
you didn't want the world
to see and I would like
to say I'm sorry but I'm
far from sorry. Users
like me are never sorry.
And it's not just you;
nothing is sacred,
not even my wife and
children and I will take
your misery and joy
and shape it and write
it and it may not be
what you want to see
but that's how it goes,
because everything
is personal,
everything
is fair game.