Dan Pearson
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Dan Pearson lives in Stonington, Connecticut and writes about municipal government for The Day newspaper in New London. He studied at the University of Edinburgh and Bowdoin College in Maine and received an M.Litt degree in Creative Writing from the University of St. Andrews. He is the only Connecticut member of the Raith Rovers Independent Supporters Society.


DAN'S MAIN INFLUENCES


NATHANIEL HAWTHORNE

Click image for the online collected works of Hawthorne on the Eldritch Press website; for a biography and analysis of Hawthorne's writing style on the Under the Sun site, click here or for related books on Amazon, click here
HERMAN MELVILLE

Click image for a profile of Melville on the Today in Literature site; for the extremely comprehensive Life and Works of Herman Melville site, click here, or to view Melville's work on Amazon, click here
POLVO’S ‘COR CRANE SECRET’

Click image to visit Polvo's official website on Southern Records; for everything you've ever wanted to know about Polvo on the Bend or Break site, click here or to listen to sound clips from the album on Amazon, click here
KING TUBBY

Click image to visit the King Tubby Tribute Site; for a profile of King Tubby on the Jahsonic website, click here, or for King Tubby's back catalogue on Amazon, click here
PRINCE BUSTER

Click image for biography, discography and links relating to Prince Buster on The Prince site; to listen to sound clips of Prince Buster on the BBCi Music site, click here or to view Prince Buster's back catalogue on Amazon, click here
SIR LORD COMIC

Click title for profile of Sir Lord Comic and his Cowboys on the Sunset Strip site or for related albums on Amazon, click here

DRAGGER CAPTAINS 'WHO LET THE RICH EAT THE CULLS'


JAMES KELMAN'S 'A CHANCER' & STORY, 'REMEMBER YOUNG CECIL'

Click image to read 'Walking Among the Fires' interview with Kelman; for interview with Kelman on the Barcelona Review site, click here, or to order 'A Chancer' on Amazon, click here

BOB DYLAN (AFTER THE MOTORCYLE ACCIDENT, BEFORE SALVATION)


SPACEMEN 3’S ‘RECURRING’

Click image to visit Sound of Confusion, the Spacemen 3 archive; for the I Have a Passion Sweet Lord, Spacemen 3 website, click here, or to order 'Recurring' on Amazon, click here
THE FALL'S 'ICELAND'

Click image to read the lyrics for 'Iceland' on the Lyrics Crawler site; for the official The Fall website, click here, or for classic Fall albums on Amazon, click here
FREDERICK EXLEY’S ‘A FAN’S NOTES’

Click image to visit the Frederick Exley website; for a selection of links relating to Exley on the Chuck Daniels site, click here, or to view 'A Fan's Notes' on Amazon, click here
HOOAH TURNING ME ON TO THE MUMMIES ‘BUDGET ROCK SHOWCASE’

Click image to visit The Mummies official website; for The Mummies King of Budget Rock site, click here, or to listen to sound clips from the band on Amazon, click here

ALTHOUGH STILL TROUBLED BY THE RECENT RENOVATION AND REMOVAL OF THE SUNKEN BANQUETTE: THE TAP SELECTION AT GUILFORD ARMS


DAN’S TOP TEN MEMORABLE MUSICAL EXPERIENCES FROM EDINBURGH AND GLASGOW

1.

Truman’s Water at The Venue - more

2.

John Cale yawning repeatedly and Lou Reed cursing out his guitar tech during Velvet Underground/Luna at the Playhouse, the guys in front of me waving empty nitrous hits - more

3.

Growing a moustache to yell expletives at Huggy Bear/Being kicked in the face by Bikini Kill’s Kathleen Hannah, while my friend Hooah, wearing a t-shirt that read ‘I Joined Huggy Nation and All I Got Was This Lousy T-Shirt,’ shouted for “Stills and Nash.” - more

4.

Sonic Youth and Pavement at the Barrowlands, where Gary the drummer handed puzzle pieces out to patrons, Malkmus did a handstand with his strat guitar balanced on his feet, and my friend Hooah joined Norman Blake to help a woman who had fainted during “Expressway to Your Skull.” - more

5.

Extremely intoxicated at King Tut’s Wah Wah Hut and Pavement at the Barrowlands, my friend Hooah handing a slip of paper to Superstar during a phenomenal show, which read: “Don’t Stop.” - more

6.

Hugh Pooh of the Pooh Sticks pinning a “Buzzcocks” badge on my lapel at King Tut’s. - more

7.

Watching one of the Reid brothers from Jesus and Mary Chain walking down Sauchiehall Street, wearing all leather on the hottest day of the year, no sign of perspiration - more

8.

Belle and Sebastian at Moor Hall Library in Glasgow, the band on two separate stages, printing programs with the track list and smoke break. - more

9.

Bowel shifting basslines in a dub club at Wilkie House.

10.

Male Nurse, before they were Country Teasers painting their symbol on a Canongate hotel - more





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'A CHAMPION DAY AT THE MALTINGS'
by Dan Pearson





A teenage wookie in Timberland boots and a Fred Perry shirt speared the lager cans and crumpled kebab wrappers blowing among the anxious Jedis outside the Odeon. Hundreds must have slept out on the pavement. Rollie and Bee pushed through a circle of Ewoks, into the lobby, heaving with mutants and bounty hunters listening to a bagpiper play the 'Imperial Death March.' Leaning out over the soda spigots, Rollie tried to flag down a staff member, to see if there were any remaining tickets. But the girl behind the candy counter was distracted, watching a clock count down the final seconds until the debut screening. When the clock reached zero, cheering and applause erupted throughout the room, as young Jedis waved glowing plastic lightsabers and an adolescent Kenobi, wearing a fake beard and bedsheet cloak, stood on the top step and shouted 'If you strike me down Darth, I will become more powerful than you could possibly imagine.'

A middle-aged man, his hair bunned up like Princess Leia, turned to Rollie, said 'I should have stayed the night,' and covered his head in his hands, sobbing and cursing.

"Let's make the jump to hyperspace," said Bee. "This is depressing."

"You're all clear kid. Let's blow this one and go home. Or, to the Maltings."

***

A few streets away, they expected the Maltings pub to be full of other trilogy faithful waiting for the late afternoon screening. Instead, the only customers inside were a few pensioners reading the papers, filling the air with the somnolent fug of stale ale and pipe smoke. Rollie and Bee ordered pints of IPA and plugged the Star Wars pinball game with pound coins. Replay was set at 600,000. The afternoon light was conducive for playing, leaving no glare. While Bee punched her first ball into action, Rollie leaned against the wall and relaxed, watching the digital scoreboard racking up the thousands.

Rollie knew more about the game. He had taught Bee all the tricks about triggering the extra ball and the multi-ball. Technically, he was superior. But Bee had a lighter touch. When she saw a ball bouncing precariously close to the alley, she could hit the side of the machine with just enough force to move it back into play without a tilt. This worked to her advantage, because Star Wars pinball was a game of ramps, which made it a contest of patience and accuracy. Bee could shoot ramps for hours, sipping her beer and dragging on a Silk Cut, while she waited for the silver ball to work its way back to the flippers. Instead of methodically building points, however, Rollie always shot straight for the Death Star, a risky move that often sent his ball spiraling down the alley.

As he watched her tap the flippers, Rollie recalled that the first night he had ever seen her, Bee was playing pinball in the Maltings. He was attracted, but thought little of it until he overheard her explaining to a friend how George Lucas and the entire creation of Star Wars was influenced by Fritz Lang, Akira Kurosawa's samurai films, B-movies about drag racing, and the desertscapes of the spaghetti westerns. She was right.

It wasn't love at first sight, but Rollie knew from the moment he saw her and heard her talking about stop motion special effects that they would be together for some time. He could still remember the first night she took him back to her flat in St. Leonards, two tins of Carlsberg in front of the VCR. It was such a relief. Edinburgh could be a lonely city. How many nights, when he was stumbling home from the pub, had he turned in envy and disgust from the silhouettes of couples embracing in the alleys and closes? How many nights had he dreaded the solitary walk home? Rollie wasn't sure if he was in love with Bee. They had only known each other nine months. But, they were now living together, and what was love anyway?

With Bee, it was about the simple pleasures. How many afternoons had he and Bee passed just like this, drinking beer and playing pinball in the Maltings? It was probably the best part about their relationship. They weren't' really attracted to each other, with primitive magnetic pull. Sex was more of a natural conclusion to events and emotions as opposed to something compulsive and consuming. But they were happy together, getting drunk and talking about music and films, especially Star Wars.

Rollie had seen each movie in the trilogy ninety six times, seven in the cinema, including the reissues in the Filmhouse and the accompanying lecture series. He had the original Millennium Falcon model, an unopened Boba Fett from 1977, the complete set of the green series of the Topps trading cards, and an autographed photo of Mark Hamill that he purchased for eighty pounds at a comic book convention in the Assembly Rooms.

The only problem with Bee was that she was a planner, never content to enjoy the moment. Too serious. Always planning. Dire. Rollie knew that he wasn't any intergalactic fighter pilot. He was just an average guy with a slight paunch who liked drinking beer and watching the Hibs matches on Saturday. But he sometimes felt that Bee needed more stability and domestic comfort. In a way it was flattering and reassuring that she thought of him in terms of a future and a bond. But there was a downside. Sometimes she seemed disappointed that he didn't want more out of his job. He had talked about going to night courses at the University to appease her. She was definitely right that there was more money, flexibility, and security in computers and information technology. But he had everything he wanted just working for Gary's father, doing odd jobs in heating and ventilation systems repair. No pressure, relatively steady. His tastes were comfortably terrestrial. He didn't need a house in Corstorphine. He was happy, especially with Bee in his life, happy with their simple pleasures: the Maltings; pinball; a pint.

In the six months that they had known each other, she had removed all the monotony from the mundane realities of urban routine, such as standing in line for milk, Starbars, and microwave pizza at the Spar. Sometimes on the weekend, they would pack a lunch and a bottle of wine and take the 32 bus out to Cramond. There were no fairytale romances, even in Scotland. This was not adulthood. Beer and pinball at the Maltings was a good routine. It worked. Edinburgh was better with Bee.

"Well, little fellow, looks like you've seen quite a bit of action," said Rollie, when Bee's ball had flipped down the gutter and out of play.

"When I left you, Obi-Wan, I was but a learner," she returned, as Rollie punched his first ball into action. "Now, I am the master."

***

After a few games of pinball and four pints, Bee started to get in a rhythm. Rollie fell off when the alcohol began to circulate through his system. But the beer, as usual, only focused Bee's resolve. As the pub started to fill up with a few of the droids and hooded Jawas returning from the early afternoon showing, she started to approach her own high score of 1,455,000, which was the second highest score ever on the machine. Lulled into an oceanic rhythm by the ball rising and falling along the metal track, Bee lost herself in the familiar score of the Star Wars soundtrack, which played in a scratchy and digital monotone through the machine's speakers. Ramp after ramp, the ball flew up and back in response to her touch. It was a ritual she savored. She closed her eyes, timing the motion in her head, and still the ball rose and fell with the same precision.

After thirty straight successful shots, the Tractor Beam was disabled and the metallic Death Star revolved. The space station, the most powerful weapon in the galaxy, was finally vulnerable. A door the size of a postage stamp opened, as did Bee's eyes. With one flick of her wrist, she flipped the ball straight into the Death Star, activating the Multi-Ball. Flashing neon lights ignited across the machine, as silver spheres flew from all corners. Bee sent shot after shot along the ramps, against the bumpers, and up and around the Force. The scoreboard blinked like tickers in a Stock Exchange.

When the ball finally took an unexpected turn and rattled down the alley, Bee had 1,675,000. Her best score ever. And still another ball to play.

Bee and Rollie looked at each other. They were thinking the same thing. But neither wanted to be the first to say it. It would jinx it.

Rollie couldn't resist.

"Six hundred thousand and you overtake G-M-T. Perhaps this is an inappropriate thing to say, but I think that would be more important than seeing the film."

It was true. If Bee could score more than six hundred thousand on her last ball, she would overtake G-M-T, the mysterious pinball player who held the all time record on the Maltings machine. His, or her, initials and high score of 2,275,000, were both written on an index card taped to the side of the machine. They also flashed in orange light from the digital leaderboard. Neither Rollie or Bee had ever seen GMT play, but they assumed the trinity of letters represented a reference to "Grand Moff Tarkenton," the villainous leader who oversaw construction of the Death Star in the original Star Wars. Rollie and Bee often joked that they would 'eradicate GMT from the Evil Empire.'

"Is she fast?" Rollie asked Bee, handing her a pint.

"The Falcon? You mean you haven't heard of her? She's the ship that made the Kestle run in under four parsecs. She'll be fast enough for you old man."

***

Bee punched the ball into action and tapped her foot to the digital theme music. A group of Tuskan Raiders smoking cigars through gauze facial bandages and a heavy man in a black-striped Dunfermline football top and a plastic Darth Vader mask crowded around. Again, ramp after ramp, Bee sent the ball up and down the metal track. That was what Rollie loved about pinball. He loved the human element of the game, the tactics, the skill, the ability Bee had to cheat death with just the slightest nudge of her hip or palm against the machine. It was never a game of chance. It was calculation.

After the thirtieth ramp, the space station revolved. She flicked the left flipper, as effortlessly as she had done all afternoon, but the ball nicked the corner of the Tractor Beam and rolled back toward the alley. She was 90,000 away from the high score. One ball in the Death Star and the title was hers. It was just a matter of getting inside.

The pinball bounded against the metal pole that separated the flippers from the alley. Once. Twice. Again and again, wishing to come to rest, uncertain, the ball bounced against the pole. Bee knew she would need to push. But when? And, how much?

She closed her eyes to hear the ball's muted tapping. When the wobbling ball began an ascent, she moved her left knee into the leg of the machine. It was barely a motion, the table didn't move so much as shudder, but the arc of the ball shifted left, and fell to the flipper. She opened her eyes and flicked the ball into the Death Star. The board exploded with triple and double scores. Bee kissed Rollie. The digital alphabet popped up on the screen. Bee entered the initials of the new leader. R.N.B.

"She's beautiful," Rollie said, into Bee's ear.

"How beautiful?"

"Well, more beautiful than you can imagine."

"I can imagine quite a lot."

***

Even though they had already had six pints, Rollie and Bee celebrated the high score with a double whisky and decided, with the first sip, to skip the movie and get good and littered. Suzy, the barmaid, wrote up a new index card and threw GMT's into the trash. Rollie slid a five-pound note into the jukebox and played a little bit of everything, some Jam, early Kinks, Fall, King Tubby. And, as RNB flashed across the leaderboard, they opened a packets of crisps, spread out the pages from the Scotsman, and toasted Bee's score. It was early afternoon. They were drunk. A champion day in the Maltings.

As they read the newspaper, Bee came upon an ad for computer classes at Napier University. "It's only sixteen weeks, even Saturdays, you could do that easy," she said.

Rollie didn't look up from an interview with the Hibs' new Ecuadorian winger.

"Maybe."

"I'm not putting pressure on, Rollie, but this seems a lot more suited to you than the ones at Heriot-Watt. It's more IT, repair, troubleshooting."

"I have a commitment to Gary's dad."

"I know, but that's temporary. I mean, you were the one talking about going to Skye in September. I want to go too, but I would rather stay in a bed and breakfast and go for a proper meal, instead of some unheated hostel. It has to start somewhere."

"Look, it's four o'clock on a Wednesday, Bee, and we're both getting pretty drunk. We put a fiver in the fucking jukebox, and I have two packages of completely unopened KP nuts. I can check out the Napier thing tomorrow, I'm not doing it now."

"No, I'm not trying to pressure you, just mentioning it."

"Right, I know, no pressure."

Rollie and Bee returned to the paper. Soon after, a man in silver Adidas trainers and a maroon Hearts of Midlothian windbreaker came over and blocked their view of the scoreboard. With his silver shoes and red suit, he looked like a Russian cosmonaut.

"Holy smokes," said the man, turning to Rollie and Bee. "Who is RNB?"

Rollie pointed to his girlfriend.

"Right on, that's amazing. You do that today?"

"She did it just this afternoon," Rollie said. "It's the first time I've ever seen anyone but GMT on the leaderboard, you know."

"I know, this calls for a drink. Can I get you both a whisky?" said the cosmonaut.

"No, that's fine, thanks."

"No, seriously, it's really nice to meet somebody else who cares about the pinball," the cosmonaut said. "This is amazing, I didn't think anyone else cared."

"Except for GMT," said Bee. "But we always figured GMT stood for Grand Moff Tarkenton. He's on the Imperial payroll. Surely a scoundrel."

"That's funny, I never thought of it like that," said the cosmonaut.

"GMT clearly turned to the dark side," Bee said. "Lured by wrongdoing."

"I wouldn't be so sure," said the cosmonaut.

"Oh, do you know him. Have you seen the GMT play?"

The cosmonaut laughed. "Aye, absolutely.."

"Who is he?" Bee asked.

"GMT is me," he said. "I am the evil empire."

***

His real name was George Michael Tarbert. After he returned from the bar with a tray of lagers and whiskies, he explained that he lived at Fountainbridge and worked at the Safeway supermarket in Dalkeith, where he managed a team of workers who prepared the meats, fish, and cheeses in the morning before the store opened. Everyday, Tarbert went straight from work to the Maltings, arriving at around ten in the morning, just as the pub was opening its doors and clearing the previous evening's smoke. The bus out of Dalkeith dropped him right outside the entrance. Tarbert had seen Star Wars four hundred and thirty times. His entire flat had been converted to resemble sets from Star Wars and Empire Strikes Back. "Tarbert, Tarbert," Rollie rolled the name round and round in his head because it seemed familiar, and then recalled that he had heard of Tarbert because his web-site, Cloudland, which focused on the plot incongruities in the trilogy's second movie, was the twenty-third most popular Star Wars web-site in the world.

Tarbert rolled up his sleeves. His left forearm was tattooed with a full color image of Darth Vader and Obi-Wan Kenobi swashbuckling with blue and orange light sabers. "That's my own design," Tarbert said. "I had that tattooed in Glasgow. Seventeen hours, over three days." Tarbert's other arm was clear of tattoos. But he had a copper C-3PO and a blue and white R2D2 tattooed on his back, one for each shoulder blade. Like Rollie and Bee, Tarbert had taken the day off from work, but all the shows were sold out. He was already drunk and breathing hoarsely, as if he had just inhaled from an exhaust pipe.

Over the course of an hour or more, the trio discussed all things related to the trilogy and its cast. Mark Hamill in Corvette Summer. Harrison Ford's carpentry career. Jefferson Airplane's performance in the Wookie special. The Jawa language, moisture evaporators, Jabba the human. They discussed their expectations and concerns for the coming prequels. Pirated footage and storyboards had been available on Star Wars web sites for more than a year. Excitement was mixed with reservation and nostalgia.

"It's all changing," Tarbert said. "Lucas is using the movies as adverts for his special effects company. There's no story, no humanity, no plot development, no soul."

"True," Rollie agreed. "The thing about the original Star Wars was that you had the technology and the talking robots, but underneath it all you still had a story of good and evil. You still had a hero and a heroine, a princess, vendetta, real human conflict."

"But you couldn't have been conscious of that when you first saw the movie as a little kid," Bee said. "The story may endure, but so does the style and the speed. Lucas' only direction to the actors was 'faster, more intense.' That's what you see."

"Aye, I suppose you're right," said Tarbert. "But the menacing thing was Vader, you knew, even when you were little, even before Empire, that there was something tragic underneath all the circuitry. But, now, Lucas is too reliant on computer generated images, he's even talking about making one of the movies without actors, entirely virtual."

"That would be cool," Bee said. "I mean, as an experiment."

"That's an awful idea," Rollie said, slurring the "s." "It wouldn't be a movie, it'd be a fucking video game. It would be Tron or Pong or Donkey Kong with mind tricks."

"I'm not saying I want it to happen," she said. "I'm just saying that it could pave the way for more advanced effects for the next film. It's all a process of trial and error. There are six more movies in the series. I'm sure Lucas can throw one away for research."

"What you and Lucas should do is stop fucking with the chemistry," Rollie said. "Everything was perfect with Star Wars, perfect, and now he's losing the plot."

It wasn't intended, but Rollie's response sounded malicious. Bee was frightened by the violence in his tone. Usually nothing, nothing at all, bothered Rollie. Granted, they were drunk. The whiskies and lagers were all drained. It was just Star Wars. But, there was tension at the table. Tarbert sensed it and tried to mollify the situation.

"Let's play some ball and take it out on the evil empire" he said, motioning toward the machine. That seemed reasonable.

Tarbert paid for three credits and punched up his first ball. He went after the ramps, but his reflexes were dull with lager. The ball rolled limply in the gutter after only 45,600. Rollie stepped up next, but he was too drunk to care. The lights and targets swirled and pulsed in a nauseating borealis. The ball bounced off the barricaded door of the Death Star and tumbled in the gutter. Bee reached out for the flippers, but fell face first onto the machine, scratching the glass top with the zipper of her jacket. When she found her balance, she leaned over the machine, and started shooting ramps with the same accuracy and rhythm that she showed early in the afternoon. Rollie watched the silver ball racing up and down the track, until he felt roast beef and mustard crisps hurtling up and out of his stomach. He closed his eyes and concentrated on the Star Wars theme to suppress the vomit. There was comfort and stasis in the familiar orchestral bombast, no matter how diminished and digitally thinned by the pinball machine.

***

Rollie felt a sickness, not only from the liquor, but from the amount of worthless trivia stored away, pushing on his brain. What was it about Star Wars that meant so much to him and people like Tarbert? Here were a group of adults, all with full time jobs, analyzing and dissecting an intergalactic fairytale made in 1976. Here they were, in the middle of a pub in Edinburgh, Scotland, talking about the thoughts and motivations of George Lucas, a guy they had never met who lived on a gated ranch in California playing with computer generated models of talking robots. Yet, Rollie could remember the first time he had seen the movie, when he was a little kid, on holiday with his family in Texas. Nothing had prepared him for it. As soon as the lights dimmed, and the giant letters began to scroll off into the cosmos, he sensed that this was going to be different than the animated Walt Disney movies at the mobile cinema in Musselburgh. First there were the letters. He could make out a few of the words, "Princess" and "Space," but what was a "Vader," a "Galaxy," and what was "Death." Then the letters disappeared into darkness and a slow silent pan exploded with silver space ships and flying beams of light. Frame after frame, Star Wars was beyond imagination. Golden droids. Dune seas. The first sight of Vader, climbing into the silver ship like a thunder cloud, his cape flowing over the crumpled bodies, walking heartlessly to the lamb white Princess. Everything and everyone, airbrushed and polished to look porcelain. It was all real and unreal.

Until he saw Star Wars, Rollie knew nothing of life. If life in Musselburgh had ever even existed, it was never more than a packet of crisps, a Mars bar, and a walk along the pier, and that narrow world could never exist again. Star Wars was a brilliant excess of light and energy and speed and volume. Carnage, loss, redemption, victory, fanfare and applause racing into a concussive symphony of trumpets, tubas, and cymbals, and then, after two hours, darkness, floor lights, and new life.

Star Wars was perfect in every way. It set the precedent for his generation and his entire life. What experience, what revelations, what novelty could ever compare to seeing Star Wars for the first time? There were always drink and drugs, but highs came and went with little impact, or left Rollie paranoid or prostate in the bogs booting up liquor and kebab. Sex had its allure, but it occurred with so much baggage and anxiety, and then, even after all that, what was it but a sleeping pill? Every experience in the life cycle arrived with some anticipation. Childbirth, sickness and suffering, winning the lottery, the death of a friend, these are all events that could be imagined and explained. But who or what could have prepared Rollie's young mind for life among the constellations?

Every consequent experience seemed a futile attempt to recapture the movie's bright white light. It was the first and last time that Rollie's life seemed infinite. Star Wars was always with him. Pure and celestial, like a glass of snow.

***

Nobody could control the ball. Even Bee's credit expired without a replay. But Tarbert felt like talking and drinking, so he bought another round of whiskies and dropped a pound into the machine. Rollie's limbs were waterlogged, gelatinous, as if pudding or pie mix sludged through his system. He punched halfheartedly at the pinball, just barely keeping it alive. The alcohol only enlivened Tarbert, who explained how he had attended several International Star Wars conventions in San Francisco, Hamburg, London, and Dallas. The stories began with trivial descriptions of memorabilia, model demonstrations, and guest speakers. By Rollie's third ball, however, the stories were filled with lies. Stupid lies. By the third ball, Tarbert no longer portrayed himself as a simple collector, nor even a fanatic, but as an intimate of the actors and creators.

"When I was at the convention in San Francisco one year, I ended up talking to Robert Stiles, who did the Cloudland set designs in Empire, and it turned out that he had lived in Edinburgh when he was a kid," said Tarbert. "So, after we talked for a while, he said 'Hey, a bunch of crew members are going out later, you should come along."

"Really?" Rollie said. He felt like he was talking underwater as he struggled to get the words out of his mouth. "What was that like?"

"Oh, man, it was amazing, we ended up in a private room at this posh hotel, and everybody was there, Richard Scholes, Paul Potter who wrote the flute parts for the Cantina Theme, Peter Mayhew, Frank Thosel--the guy who did lighting in Jedi, Anthony Daniels. I ended up talking to Carrie Fisher for a long time, she was great."

"You partied with Princess Leia?" Rollie said, increasingly dubious.

"Oh aye, we talked a long time. She told me all about working with Lucas and Alec Guiness, I think she was really happy to talk to someone who cared about the movie. Oh aye, we ended up doing lines with Shelley Sharples, Martin Trover, and all the people from post production and sound engineering, the Hoth crew."

"You did coke with Princes Leia?" Rollie said.

"Sure, when in Rome. There was a tonne of coke at the party, tonnes, they had it in little bowls at all the tables. All those Hollywood people do blow."

"Lucas doesn't do coke," said Rollie. "I read he stays away from that."

"Right, of course, Carrie told me Lucas barely even drinks. I had a chance to meet him. Carrie invited me down to the Ranch. But I had to catch a flight back here."

"You turned down an invitation to the Ranch?" Rollie said. At this point, he was only humoring Tarbert. Rollie was more worried about Bee. She had pulled her chair up to watch the pinball, but now was snoring, her chin propped on the edge of the machine.

"Well, Carrie thought I should meet Lucas. But I still had business to take care of in San Francisco with Billy Dee Williams, a marketing deal that fell through. I don't think it would have been good for Carrie anyway. I had some very critical feelings on the cryogenics in Empire, I wouldn't want to jeopardize her relationship with Lucas."

"Oh, really?"

"Absolutely. But Carrie agreed with me. She said she would talk to Lucas about it. So I'm not worried. He knows exactly what I think."

***

As the evening continued, Tarbert's lies grew only more incredible. He claimed that he left the second day of the London convention to play backgammon and drink MaCallan with Alec Guinness at a private club in Hampstead Heath. When he was in Munich, Tarbert claimed, he was invited to a secret technology seminar waitstaffed by drink serving androids. Now that his web site was gaining recognition as the definitive source on the Cloudland sequence in Empire Strikes Back, Tarbert also alleged that he was being courted and pressured with large sums of money to move to the Skywalker Ranch as a creative consultant for Lucas' Light and Magic special effects company.

When Rollie asked why he remained at the Safeway in Dalkeith, Tarbert claimed that he and Lucas had developed antagonistic views about science fiction. According to Tarbert, he and the creator no longer shared a vision.

Tarbert continued to amplify and embellish his fictions, but Rollie ignored him. What good would it do to confront Tarbert anyway? Let him have his fantasies. There was no harm. So, a grown man focused all of his ambitions and his energies into the examination of a science fiction movie made for children. What of it? Rollie imagined Tarbert's life. He saw him, overweight and winded, boarding the blood red Lothian Transport bus in Fountainbridge, saw him at dawn on the top floor shuttling past the metal fences of the brewery, and the gated entrances to the canal, saw the canal littered with bike tires and plastic carrier bags, saw the bus rolling down Lothian Road, then rising up the Mound toward the Castle, sensed him looking out over the spired cityscape, feeling alone and worthless that no one, not the financiers in Charlotte Square or the street sweepers on Thistle Lane, not the school children on Viewforth or the barbers in Woods, not the drunks in The Port Hamilton or the punters and cabbies in The Penny Black, not a solitary soul had a single thought for George Tarbert.

Rollie saw Tarbert's bus passing the University and then the Craigmillar housing estates, broken beer bottles twinkling under the street lights, cats and crisp packets curled up in the bus shelters, saw the bus then rounding the roundabout outside the Safeway, and then Tarbert, half asleep, navigating the steps, out into the morning, walking through the empty parking lot to the employee entrance beside the loading dock, then inside, pulling his apron off a hook, and punching in his time card while the harsh light of the halogens cut into his morning repose. Rollie saw Tarbert's day unfold, saw him in with the butchers, a dozen of them, in and out of the walk-in freezers, silently gutting pollock, unwrapping hams and provolones, the dull thud of livers and salami ends landing on the cement floor, the air rank with garlic and disinfectant, teenage boys mopping up intestines and fisheads, bagging up entrails and black pudding casings. And, then, Tarbert, through it all, his apron splattered with blood and grease, waiting and waiting, waiting for the moment, knowing that within six, then three, then just one more hour, he would be out of Safeway and into the Maltings, the air redolent of ale and apple pipe smoke, watching the silver balls light up the ramp, ramp after ramp, and then the metallic door of the Death Star withdrawing to expose its hollow core, the Star Wars theme music crackling from the speakers, saw his name flashing in digital lights for the entire city to see, there was no one better, there's only one, there's only one, GMT.

Rollie could see Tarbert leaving the Maltings in the early afternoon with a head full of lager, the buses and the taxis rushing up and down Nicholson Street, couples dipping dim sum in the Orchid, past the university students laughing, heedless, along the green expanse of the meadows, and then, street after street, newsagent after cornerstore, just a single man with a carrier bag of Flora and Cheerios, all the glory stripping away.

But then, Rollie saw Tarbert flicking on the power strip, saw him alone in his living room, his face illuminated by his computer screen, saw him dialing into Cloudland, his own creation, he the Webmaster, every word and every image, his own, saw a grown man clinging to an ideal, saw him screaming in keystrokes, never letting the cursor rest, that even he, even George Michael Tarbert of Fountainbridge, the stink of Safeway gore and Derby sage still crusted in his nails, black flecks of rusted metal baking trays lodged into his forearms, knew and recognized that there was a beauty in the world which he felt compelled to perpetuate and publish. Rollie saw Tarbert running his mind over and over the Empire Strikes Back, how every line and every motion fit exactly into place, how George Lucas, a guy from California who dreamed of hot rod race cars, cattle rustlers, and diner waitresses, had created enduring truth with laser precision, knew that he and George Lucas were not much different and shared a genius.

Rollie saw Tarbert sailing into cyberspace, trying desperately to align his own life with that ideal vision, the vision of battles and drama and escape, a vision of life where every element was as it should be, good conquering villainy, saw Tarbert asking into cyberspace, unsure, desperate, "Is there anyone else out there who shares my vision, surely I can't be the only one." Rollie saw the message bouncing off the satellites, in and out of chips, and circuits, down phone lines and broadband wires, and then from somewhere out in that vast anonymous cyberspace, Rollie saw Tarbert's chatroom alight with urgent response, Tarbert clicking his mouse, and there, in block capitals, was not only one person but hundreds writing back that 'NO, NO,' George Michael Tarbert, 'You are NOT alone,' there is a twenty two year old file clerk in Sapporo, a travel agent in Sioux City, a pipefitter from Long Beach, a department store shoe salesman in Manitoba, a heating and ventilation engineer formerly of Musselburgh now residing in the capital, and many others who share your vision. Let's not just leave it at that, let's talk about it.

And, then, for a moment, in-between the instant coffee and microwave prawn curry, before the football scores and chatshow repeats, before the alarm clock signaled the first step back to the buses, the brewery, and the butcher littered with snouts and knuckles, there was connection. There, perhaps at that very moment, in a galaxy far, far away, a great adventure was taking place. Tarbert, Rollie, they could feel the collective power of a Force. Star Wars.

Yet, it was not enough. These voices were nothing more than digital characters, matrix dots, vibrations, impulses: the prattle of electric currents running out of room.

***

Rollie felt a hand slide into his back pocket. He opened his other eye and looked down at Bee, who was holding onto his jeans to keep from falling backward off the machine. "Honey, Rollie, let's go home," she said. "Tea and toast, little tea and toast." Tarbert laughed and winked. Rollie lolled his head back to the board, only to find that his ball was bouncing precariously close to the alley. He only meant to nudge the game, but he slammed the machine with his knee, sending it careening off the wall. Bee's head and then her entire body fell forward, the ball plummeted into the alley, and the word TILT blinked across the scoreboard. TILT-TILT-TILT, TILT wouldn't stop blinking.

The theme music crackled into static then ceased. Rollie liked the sound of screws and steel balls rattling and coming to rest, so he leaned back and kicked the front of the machine. He guessed that his toenail split, but felt no pain. He aimed for the coin return and kicked again, and again. The scoreboard went black. Tarbert inhaled and exhaled like a pug, then shouted, "No blasters, No blasters." "Who is that?" screamed the barman. "Who's back there?" From down on the floor, Bee reached out her hand. "Help me Obi-Wan, you're my only hope." Rollie did not hear her. He was gone, out the door, moving at light speed.

***
He was gone, out onto Nicholson Street, and he was getting the fuck out of Edinburgh, enough of this, twenty six hours a week in a boiler suit and face mask crawling around air ducts and ventilation shafts, asbestos, all those asbestos release forms, come home and its already dark, microwave cheese and shells, flip on the kettle, Pot O' Noodles, no way, he wasn't ever going to eat another fucking bowl of cheese and shells, no taste, day after day, go down to the pub, day after day, talk about the clouds and the Hibs, did you see, a thousand redundancies in Falkirk and Grangemouth, all these fucking fat useless fucks, living Saturday to Saturday, six hours of wages drunk in a round down at the Persevere, oh yeah, heard this new fellow from Killie is one to watch, did you see, a peach, an absolute fucking peach against the Jambos, you see that, did he see that, No, he was getting out of Edinburgh, enough of this shit, crawling around in the air shafts, snaking up the tubes, the metal seams cutting into his thighs, banging his fucking head on the tanks, up, up, and away, up and out of it, well gone up into the hills, an island, An Island, yes in the West, beyond the rail line, no phone, nobody, Visa, there's enough on the Visa, first train to Glasgow, Oban by noon, out there way out there, nobody knows, no fucking cheese and shells, imagine the coal fire, the coastal path, imagine walking the cliffs, green fields, cobbled beaches, the tidal flats, digging for clams on the tidal flats, what was a month, he could live a month on nothing, post office shop, wellies, a jumper, proper hat, socks, a toothbrush, razor, save it for pints, clear nights to see the stars, diving for oysters, no fucking cheese and shells, Barra, Vatersay, Castlebay, enough of the Persevere, pisswater. Bee. The far fucking Outer Hebrides. He was going. Now. To Barra.

***

Rollie stumbled along South Clerk Street toward Waverly Station, slamming his hand against street signs and kicking newsagent sandwich boards and trash barrels. Everything was now clear. He was leaving for Barra on the next train. He would board the ferry in Oban. What if there wasn't a ferry? He would spend the night in Oban, climb up to the Folly with a bottle of wine, or, why not just hire a boat, some local guy with an outboard, give him fifty quid. Had to be done. He just needed some time and space to collect his thoughts. Too much pressure. Pressure drop. Bee. He needed the pressure to drop. This was important.

He stopped beside a queue of people waiting in line at the bus stand to tell them the news. "I'm not going to say how to live your life," he said, "but I'm going to Barra, okay, no more buses, so fuck off." It was easy. Credit cards made everything easy. How long could he live out on Barra? Rollie decided to celebrate his new life with a pint. Maybe he should just get a carry out for the train. Couple cans, bottle of champagne. Sandwiches. Jaffa cakes. No, why wait, why ever wait.

Where was he? Rollie didn't recognize where he was. Tesco, automatic doors, grannie with a pram. All Days. Three men drinking Carlsberg Special Brew on an abandoned sofa. Stop lights. Criss cross, parallel lines. Avalanche. Pakoras, starfruit. A wheel of dripping doner meat. The discount store, costume jewelry, ceramic Nessies.

He crossed the street, and walked into the Southsider pub. It had changed. Where were all the old boys? The Southsider used to be dim and smoky, a magnet for bearded real ale campaigners perspiring over the guest beer. But now, what was this? It was full of students drinking neon orange, blue, green, and yellow liquids. Dance music. Drum machines. Chrome stools. Had to be a coke bar. Eggheads in turtlenecks. The Cantina theme, LaDaDaDa-dadi-da-dadidadadadadida. What was in those bottles? Rollie put a handful of coins onto the counter. The barman faced him. "Yellow," he said, directing the barman's attention to a pyramid of neon bottles. "The yellow." Easier to serve him and wait for him to go away than to risk the hassle of an argument, he figured. Rollie grabbed the bottle and walked out the door. What was it? What flavor made Yellow? Pineapple? Lemon? It was sickening, syrupy, like carbonated candy. With a rubber legged running start, he hurled his arm into a windmill motion and pitched the bottle at a garbage can. Shards of glass shattered across the sidewalk. Two teenagers in tracksuits applauded from a bench. What was he doing? He was wasting time. Outside a red door, he spotted a bike. Ten speed. No lock. Rollie shouted "Waverly, just to Waverly," to anyone who might be interested. "Going to Barra." Now he was moving.

***

Pedaling, faster, building speed, faster, getting closer and closer, the bike blurred down the bus lane. When Rollie hit the downhill, he continued to pedal, refusing to coast, because he didn't want to lose speed. First gear, tenth gear, the chain ringing in time to his footfall, faster, faster, more intense. There was no fatigue. He could pedal forever. Yes. He would pedal forever, why wait for a train in Waverly, when he could cycle all night and catch it in North Queensferry? He would pedal across the Forth Bridge and watch the sun come up in Fife. Better, all the way to Ladybank, he could do it in a day, switch at Ladybank. It was amazing. Rollie saw his entire life rise up and spread itself out before him like an iceberg. Nothing could contain him. Here he was crawling around in ventilation shafts, when he could be anywhere and anything. Tangier. Thailand. Cuba. Pedaling, faster, faster, more intense.

Cold wet air drummed against his face as the cycle picked up speed. He was bowed, in a crouch, when his shadow raced before him, illuminated by the lights of a bus. He jumped onto the sidewalk and pedaled past the hydrants. Pedaling and pedaling. Five minutes. Ten minutes. Where was the zoo? Rollie looked up and around, expecting to see a glowing arc above Corstorphine and the airport, lighting his way to Fife. Instead, he saw the lamplit parking lot of a Safeway. Where was he?

He was near Dalkeith, going in the wrong direction. Not north. South. No time to spare. He squeezed the brakes. Too sharply.

At first, Rollie and the bike crashed together in a mangled sculpture of elbows, denim, brake wire, chin, and oiled chain. When the bike stopped, Rollie did not. For five, ten feet, he rolled and staggered across the pavement, wobbling like a rugby ball, until he came to rest next to a garbage can. He heard the front rim click and spin and saw his knee cap gashed and bleeding. Pffffft, the air whispered through a puncture. Then, footsteps.

There was someone down the road moving toward him. Who was it? Was it only one person? Actually it looked like a couple, arm and arm. He couldn't make it out. The world was spinning too rapidly. He had to rest and focus on stillness. He heard a voice, maybe Bee's, scolding, little boy, too fast, let's go home, this is too intense, you should know what's good for you. Tea and toast. The earth was off its axis. Where was gravity? Rollie floated off into the cosmos, alone, drifting in the solar wind.

***

The sensation of weightlessness was not how Rollie envisioned it. Shooting stars left tracers, shot across the galaxy with brilliance, but then burned dull and brown, no different than the rest of the inconsequent suns. The other planets were scarred and cratered, swirling with malodorous and blinding gas and dust. He floated off the pavement in Dalkeith, floated up out of his body, circled the constellations, effortlessly parting the atoms, but still felt heavy. The sensation of space travel, jetting off and disappearing in the infinite, held little allure. He couldn't let himself go. Too much pressure. There was some unidentifiable but pervasive anxiety, that seemed to leaden all his thoughts. What was it? Where was it coming from? Rollie focused on the stillness.

Adult life was curious. When he was a kid, all the games had a clearly defined purpose or a home base. Motivation was black and white. There was danger and safety. It was just like Star Wars. Good and Evil. Rebel Alliance against Imperial Senate. Destroy the evil Empire, before it destroyed you. Conflict. Effort. Victory. But what was motivating now? Rollie had no passion. He went through the motions of living, working, sleeping, and buttering toast, just to create the illusion that he had earned a deserved portion of space and time. There were moments, when he was playing pinball with Bee or walking through the meadows after work, that he felt this illusion was in fact contentment.

But life was far more complicated. It was not a battle between good and evil, but a series of perspectives, submissions, and concessions that would never come to resolution.

Whenever Rollie was hired for a ventilation job in an office, he wondered about all the clerks and lower level managers. Waking up at seven. Coffee and toast, out the door. Traffic from Dalgety Bay, a standstill. Bumper to bumper. Passion, confidence, all directed toward the need to change the marketing paradigms for packing tape or no stick fry pans. Lusty thoughts about temps and team leaders boiled in their heads. Rubbing themselves under their desk at the prospect of a Rover with heated leather seats. Life was not everything they dreamed it could be, but they found a way to cope with the tension between the ideal and the real versions. They created new ideals or narrowed the material and domestic possibilities of their ideals to create the illusion of victory and success. They no longer dreamed of blasting a laser into the Death Star, nor did they fight the magnetic pull of the tractor beam. Instead, they planned a perfect Valentine's Day dinner, with flowers, and a hunting weekend in the Borders. Rollie didn't want to concede. So he rebelled with entropy. But there was never a release from uncertainty and anxiety. When or would it come? The pavement in Dalkeith wasn't even close.

***

The pavement. He was still on the pavement. How much time had passed? There wasn't any pain, but Rollie was slowly regaining consciousness. He heard a car speed by, then several cars, then by the sound and rumble of it, a lorry. Then, the sensation of weightlessness gave way to the sound of birds, the fizzle of a streetlight, and a nascent throbbing in his hip. Something was jabbing into his leg. Damaged nerve, bone spur, torn ligament, a sprain? No, it was a key. It was the only key to their flat. Bee. What would she do, where would she go? What had he done? He thought of all the times that he had cursed the city, walking home alone from the Maltings, confronted at every close by lovers and intimates. Their alienating shadows and embrace. A stabbing pain. All those times he wished and wondered, all those times he woke up and touched her shoulder. But here he was lying in the street of Dalkeith while Bee was left alone. He felt the pavement. Slippery. It had to be blood, it was definitely blood. But he had to save her.

Rollie rose to move and felt a presence holding him still. He opened his eyes to find the outline of a head haloed by the streetlight. Then a voice, "Rollie, Rollie," then the touch of a hand. Bee. Her touch like a coal fire. He held his hands out to it, and let the heat blaze across his contorted frame. Bee. Oh, Bee. Skye, Let's go to Skye. The heat was scalding and intense, burning and boiling in his bloodstream, until it pushed out all the tears and pain. Anesthesia, and a soft landing. Bee, when will we get to Skye.

***

A million light years away, the battle raged on. Every nanosecond, space pilots and princesses were born to regents and farmers on Endor, Degobah, and the asteroid colonies of Alderaan. The universal balance shifted, one peaceful nation eclipsed with firepower, another Empire gathering more space in the infinite. One vain warrior glimpses, cowers, revolts, sells his soul to the dark side of the Force. Another, an orphan, stargazer, hearing voices, wakes up from ignorance to find he is the last remaining hope in the universe. Supernovas. Rockets ignite. Hyperspace. Landspeeders skimming across Tatooine. Intergalactic hegemony. A thousand unseen wars and a million unknown trials waged among the stars. But what of it? Here they were together, in Edinburgh, Bee and Rollie, lost in their own Dune Sea.

"It's a beautiful moon tonight," Bee said, helping him to his feet. "Did you see?"

"It's not a moon," Rollie said. "It's a space station."

© Dan Pearson
Reproduced with permission




FILM REVIEWS BY DAN ON THIS SITE:


Daniel's review of 'Whale Rider'

Daniel's review of 'Monster'

Daniel's review of 'Throne of Blood'





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