Christian Ward is a 27 year old Londoner who is currently finishing the final year of a degree in English Literature & Creative Writing at Roehampton University, London. He hopes to travel after his degree is finished and then commence a postgraduate degree in English Literature. He likes to read, watch films and write. He hates sport, things which are trendy and people who refuse to be themselves. His work has previously been published in Iota, Other Poetry, The Poetry Kit, Softblow, Chronogram, Lily Lit Review, Word Riot, Andwerve, Fire, Zygote in my Coffee, nthposition, Cider Press Review and Ottawa Arts Review
CHRISTIAN'S FAVOURITE WRITERS
SYLVIA PLATH
Click image to visit the Sylvia Plath Forum website; for the Sylvia Plath Homepage, click here or for related books on Amazon, click hereTED HUGHES
Click image to visit Earth - Moon: A Ted Hughes website; to visit the Centre for Ted Hughes Studies website, click here or for related items on Amazon, click here.FRANZ KAFKA
Click image for the Constructive Franz Kafka site; for Kafka biography and a vasts array of Kafka related links on Corduroy website, click here; to watch flash movie of Kafka's 'Metamorphosis on Random House site, click here or for classic Kelman on Amazon, click here
JOHN STEINBECK
To visit the website of the National Steinbeck Centre in the US with details of Steinbeck Festivals, click image; for a biography on the Nobel Museum website, click here or for related items on Amazon, click here
ELIZABETH BISHOP
Click image to read Bishop's poem 'The Moose' on the Poetry Exhibits website; for a profile of Bishop on the Poetry Exhibits website, click here or for related items Amazon, click here
I was not the first to try
and find the source
of her slippage of heat.
Others had fumbled
through her body lit up
like a field of lighthouses,
crouching past a tiger
inked on her left thigh,
avoiding the topiary
between her legs. Nobody
guessed it was her eyes:
a pair of leaking vents
colouring the sky infra-red
with each drop of lost desire.
The girl appeared suddenly,
as if she had stepped out
of a photograph, stopping
to smile at some random
passenger on the buses top
deck. And then, after she
had smiled, scurried back
to her bank of darkness;
eager to sift through her takings
and forget about the images
she had planted in our heads,
slowly digesting like an isotope.