Rich is twenty-six and lives in Essex, England, where he was born and
now upholds the illusion of hard work. He was educated at the
University of Warwick. He spends most of his spare time writing short stories, poems, and songs for his band, Noid (which rhymes with the word void and has nothing to
do with having no form of identification). Look out for Noid in the
near future. He likes being in the countryside, but does not enjoy reading or writing
poetry about it. He finds being around people far less appealing and
far more traumatic, though unfortunately, far better subject-matter. In his poems, he aims for clarity, honesty, and humour.
RICHARD'S INFLUENCES:
DAVID BOWIE
Click image to visit the official David Bowie website; for the Bowie Wonderworld site, click here or for related books and cd's on Amazon, click herePHILIP LARKIN
Click image to visit the official website of the Philip Larkin Society; for a selection of Larkin's poetry online on the Certando site, click here or for related books on Amazon, click hereMORRISSEY
Click image to visit the Morrissey Solo website; for the No Dad, I Won't be Home Tomorrow website, click here or for related items on Amazon, click here
TED HUGHES
Click image to visit Earth - Moon: A Ted Hughes website; to visit the Centre for Ted Hughes Studies website, click here or for related items on Amazon, click here.GEORGE ORWELL
For the political writings of George Orwell on Abattoir.com website, click here, or for related books on Amazon, click image
RICHARD'S OTHER FAVOURITE WRITER:
T.S. ELIOT
Click image to visit, What the Thunder Said website, regularly maintained website dedicated to the life and work of T S Eliot; for the University of Missouri's Eliot website,click here or for related items on Amazon, click here
GABRIEL GARCIA MARQUEZ
Click image to visit Macondo, the Garcia Marquez pages on The Modern World site; for a profile and links on the Levity website, click here; for a profile and links on the Writer Heroes website, click here; to listen to Katie Davies's 1983 interview with Marquez on the NPR website, click here or for related items on Amazon, click here
JORGE LUIS BORGES
Click image to visit the website of the Jorge Luis Borges Center for Studies and Documentation website; for the Garden of Jorge Luis Borges website, click here or for related items on Amazon, click here
LOUIS DE BERNIERES
Click image for a profile of De Bernieres on the British Council's Contemporary Writers website; for Robert Birnbaum's interview with De Bernieres on the Identity Theory website, click here or for related items on Amazon, click here
PHILIP PULLMAN
Click image to visit Pullman's official website; for Dave Weich's interview with Pullman on the Powells website, click here or for related items on Amazon, click here
CHRISTOPHER LOGUE
Click image for a profile of Logue on the Slate Magazine website; for an extract from 'War Music' on the Academy of American Poets website, click here or for related books on Amazon, click hereJEFFREY EUGENIDES
Click image to read Jonathan Safran Foer's interview with Eugenides on the Bomb magazine website; for Bram van Moorhem's interview with the author on the 3am website, click here or for related items on Amazon, click here
You were always the brightest in the box
The one who made all the others
Bury themselves
Among the clutter of abandoned cupboards
Under sofas, covered in clumps of old hair
Or hurl themselves
Into the overgrowth of gardens
And flowerbeds
Where they would play at being you
Would reign stormily over speechless weeds
And forgotten toys
Though, underneath it all, would still feel
Like wax and charcoal, and not much else
But you
With your spine of lead
Who made them all jump
– And snap
– And seem blunt at the head
Were impossible to break
And whoever picked you
Was guaranteed to draw their best.
Picture this:
I am shipwrecked, temporarily
In a factory.
Each day, a new punishment
Administered by a different somebody –
Always a fellow worker.
Today, I am paired with a woman
Twice my age and size.
Fate has thrown us together on the assembly line.
As usual, I assume the role of questioner
Which requires little in the way of genuine interest.
“My first husband wrote a book,” she says
“It was called, ‘Thirteen Slags of Significance’.”
A title not easily forgotten.
I would like to ask her rank –
Instead, I say
“Sounds more like an album, or rock band,
Than a book.”
“It sold in America.”
“Really?”
I imagine some wretched volume
Vanity published
Ruining the shelves of relatives
Other books hopping down and running for their lives
A slab of words and paper
Punchy, chatty sentences
Clichés
Colloquialisms – the lot.
And the dread author?
A subscriber to the notion that anyone can write a book –
A mechanical truth.
I imagine him
Changing nappies one minute
Incontinent the next –
Full of wind
And piss.
“Have you read it?” I ask
“Christ, no!”
In my mind I challenge her to –
“He left me with three kids,” she turns and says
“Then went back to Spain.”
Back to Spain? He is becoming more interesting –
A textbook case –
Author of numerous mistakes.
“He left us for a bloody book.”
What?
He left you… for a book?
Left you… to write a book?
Wow.
I look at her more intently
Frame her in a dull, grainy photograph
Twenty years old, give or take a year
And, stripping away the lines and folds
Find her
Not unattractive.
Beside, I picture a man
Of gusty intelligence
But stifled.
A literary man
With a weakness in his eyes for women.
A man doomed
And one half of a doomed match.
“I have always wanted to write a book,”
I say without thinking – without filtering.
She looks at me hard –
“I have tried to kill myself three times.”
I am no match for her.
It is dark inside and
I have just remembered
One day I will be dead –
Irreversibly dead –
As dead as the others – the unborn.
When this prelude passes
I shall go on being dead forever, undisturbed
Until the end of time
And beyond
– Even when the world dies.
It just seems like such a bad design.
Surprising really
How we can recover straying thoughts
So easily
And strap them
To love, shopping lists
And whatever happens to be in the news
Or on TV –
Though not every time.
In the spinning dark of bedrooms
There is occasional panic
When even the entangled feel utterly alone
And hear only the constant drone:
I will be dead, one day
When exactly – whether days or weeks or years –
Who can say?
And looking over:
You too. Even sooner, perhaps, than me.
Then the world too will fall to death like gravity.
I do not think the universe will remember any of us.
London does nothing for me –
Except its historical bits
That sweat in battery proximity.
I can never manage my way around
And have always found London
The most betraying part of England
Where kindness dissolves like birdshit in rain
And everything is in constant change
Apart from a few old buildings
Begotten, not made –
Christened with the invention of a precise date.
So slippery
I have grappled many times with its identity
But, unlike Helen’s husband
Have never wrestled out the mythic, elemental face.
I prefer the other parts – the country competition:
Where people are busy
But kind anyway –
Where versions of truth do not need to be reigned in
By policy –
Where families bicker
For most of the week
But eat together on Sunday.
London, you never made me welcome.