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Immanuel Mifsud's, 'Ruby' showcased on www.laurahird.com



SHOWCASE @laurahird.com

Another gem from the thriving Maltese writing scene, translated by my good friend, Maria Grech Ganado. To read a selection of Immanuel's poetry on the Showcase, click here

 


Immanuel Mifsud was born on 12 September 1967, youngest of 8 children. Never read a book before age 16, except for Charles Dickens's A Christmas Carol. Then, grace fell upon him on his 16th birthday in the form of Sigmund Freud's 'The Interpretation of Dreams.' Since then he became an assistant lecturer at the University of Malta, giving lectures on modern Maltese poetry and theatre to students who don't care less...but that's life.


IMMANUEL'S INFLUENCES INCLUDE:


"I'd say Krzysztof Kieslowski's films, the violence of Gustav Mahler and Dmitri Shostakovich, the melancholy and eroticism of Astor Piazzolla, Heinrich Boll (especially his short stories), Gustav Klimt and Egon Schiele, Michel Foucault, my mother, and also my fairy godmother thanks to whom I discovered I have a sense of humour."
KRZYSZTOF KIESLOWSKI

Click image to visit the Krzysztof Kieslowski Homepages; for a tribute to Kieslowski, click here or to view his films on Amazon, click here
GUSTAV MAHLER

Click image to visit the Mahler WWW Pages - maintained and assembled by Jason Greshes; for Tony Duggan's synoptic survey of Mahler's symphonies, click here or for Mahler's works on Amazon, click here
DIMITRI SHOSTAKOVICH

Click image for the official Shostakovich website; for a biography and bibliography of Shostakovich on the Classical Music Pages, click here or for related CD's on Amazon, click here
ASTOR PIAZZOLLA

Click image to visit Piazzolla, the internet home of Astor Piazzolla and his Tango Nuevo; for reviews of Piazzolla's recordings on the Roots World site, click here or for related CD's on Amazon, click here
HEINRICH BOLL

Click image to visit Electro Asylum - the Heinrich Boll page; to visit the website of the Heinrich Boll Foundation, click here or to order collection of Boll's short stories on Amazon, click here
GUSTAV KLIMT

Click image to view a selection of Klimt's paintings on the Web Museum Paris website; for links to Klimt's work online, on the Artchive site, click here or for books featuring Klimt's work, click here
EGON SCHIELE

Click image to view a selection of images by Schiele on the Egon Schiele Museum site; for a biography and images on the Art Channel site, click here or for books featuring Schiele's work, click here
MICHEL FOUCAULT

Click image to visit the Foucault Info website; for a selection of online texts by Foucauld on the Foucauldian website, click here or for related books on Amazon, click here
MARIA GRECH GANADO

Click image to read poetry by Maria on the Showcase section of this site; to visit Maria's own homepage, click here or to read about Maria's publications in Maltese and collection of English poetry , click here

IMMANUEL'S FAVOURITE THINGS:


"Kralovna Jana, Hibernians FC (Paola, Malta) - no connection to the Scottish Hibs; Czech singer, Karel Kryl's Greatest Songs (Karel was an inspiration to the Czechoslovak people under Soviet oppression); Mother's wedding ring, 1001 family paraphernalia like cards, letters, photos; My Closest Of Friends - godmother Maria, Lydia Dewdrop, Clareazz and Bertu, Bertu And Bri."

IMMANUEL'S PUBLICATIONS:


1991 - �Stejjer ta' Nies Koroh� (Stories of Ugly People)

1993 - �Il-Ktieb tas-Sibt Filghaxija� (The Book for Saturday Evening)

1998 - �Fid-Dar ta' Clara� (At Clara's House)

1999 - 'Il-Ktieb tal-Mahbubin Midruba� (The Book of Maimed Lovers)

2001 - �Il-Ktieb tar-Rih u l-Fjur�i (The Book of the Wind and Flowers)

2002 - �L-Istejjer Strambi ta' Sara Sue Sammut� (Sara Sue Sammut's Strange Stories)

2005 - �KM� (Maltese with English translations by Maria Grech Ganado)


RELATED LINKS


Visit Immanuel's official website

"Pajji�i huwa Soffokanti" - Norbert Bugeja's interview with Immanuel (in Maltese)

Maria Grech Ganado reviews Immanuel's poetry on her own website

A selection of Immanuel's poetry in his native Maltese on the About Malta website

Interview (in English) with Immanuel on the About Malta site

An illustrated bibliography (in English) of Immanuel's publications

Read two poems in English by Immanuel on the Transcript website

Read the French translation of Immanuel's showcased story, 'Ruby' on the Transcript site

Read Maria Grech Ganado's paper on contemporary Maltese fiction from the PEN Conference, Cyprus 2004





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RUBY
by Immanuel Mifsud





1977

Ruby always stares into space. Her feet are paper-white, thin, pimply. Her long blonde hair is always a knotted mess. Ruby is a poor girl. Neglected.

�Don�t play with that one, or her brother.�

�Why not, ma?�

�Because.�

�But why not, ma?�

�Because I said so!�

While we are at mass I keep staring at her, at her hair mostly, and at her thin feet almost tapering into nothing. She sneaks sweets into her mouth and plays with the cent she is meant to throw into the basket and which, I notice, she always throws into the pocket of her dress as soon as the sacristan starts the collection.

I see Ruby everywhere: in church, at the swings, in the garden down there, in the valley with her brother and the other boys, the piazza, at Mary, the grocer�s, buying a bit of tomato paste (kunserva) and the same of cheddar�..I see her everywhere except for school. I never saw her at school, not at the door, not in any class, not in the yard.

�How come you�re never at school?�

Ruby looks at me crossly.

�Don�t interfere, fat face!�

�Doesn�t your mother get angry?�

�Is it your business, nosy parker?�

�Don�t you know that they can put your dad in jail if they find out?�

Ruby starts to laugh and her face seems to grow prettier.

�Where do you think my dad already is, idiot? And stop snooping around, orrite, cause I�ll set my brother on you!�

Her eyes are sky blue.


1981

Ruby in a red T-shirt flaunting the flaming torch on her breast. Ruby on the truck with other Socialist supporters, singing the party anthems and banging her hand against the truck�s side. She stands out, you can�t miss her: long beautiful blonde hair wafted by the cold wind of the end of November. I�m in my school blazer and tie, on my way home. And in my room, as I attempt to start on something, I slip into a long reverie of Ruby crying out gleefully because victory�s bound to be theirs.

�Ma, did you know Ruby�s with Labour?�

My mother goes on frying the bit of beef in the pan without a handle.

�And how do you know? I don�t want you talking about politics, do you understand?�

�No, I didn�t talk about politics, ma. I saw her on the Labour truck.�

�It�s not our business where Ruby or where anybody goes. Get ready for your tea.�

�Does that mean we�re Nationalists, ma?�

�I�ve already told you not to talk about politics. Go on, hurry up and get ready for your meal.�

As I wolf down the beef off the pyrex plate, I see Ruby again, I see her hair waving in the air and I remember that her eyes are sky blue. And I see her breasts swelling under the flaming torch.


1982

While we listen to Bob Marley on a battered radio cassette, Simon collects the cash we owe him for the grass he�s bought at his school. We all smile with eyes which are already glazed, especially when Ruby goes to a corner of the garage and strips instead of paying her share. The three of us boys share her portion and her body between us.

It�s become a habit. Every Friday we meet in Simon�s father�s garage. Sometimes there are more of us and instead of Marley, it�s the Sex Pistols who blow our mind and give us lots of pleasure, together with the stolen amphetamines and Ruby prancing around naked.

I always stare at her blonde hair, tousled, messy, knotted; and when I touch her, I always start with her hair. And when she turns and looks at me with her sky-blue gaze, I feel tempted to make her mine alone, to take her far away with me alone where we can forget everyone else.

And lately I even wake at night, with a dry mouth and with the image of Ruby�s body dancing for me in my room, soaked with rain drops. And I want to phone her, even though it is three in the morning, to ask her out, if only once, on a Saturday evening.

On a Saturday evening nobody ever sees Ruby. We look for her in vain at the Sixth Form disco. We ask her in vain where she goes. We only know that she often waits at the end of their street until a purple Escort Mark 1 with dark blue windows drives up, and she gets in.

And then in December, Simon�s father suddenly dies. And the garage is closed and remains closed till it is sold to a businessman from another town. Simon withdraws into his shell and we do so too. All of us


1985

except Ruby.

On my dazed way to my matriculation exam, I did a bit of metal revision and realized there were blanks in my knowledge. I felt an urge to go back home but I knew all hell would break loose. That�s what my elder brother had done just before his Law finals, and my parents have never forgiven him. Some time ago, he came into my room while I was studying and confessed that he hadn�t even forgiven himself. And my sister was good at school, but she�d fallen for a rich man who�d disrupted her studies. They never forgave my sister either, though my mother says it�s all for the best because she�d found a good man to settle down with, and if she�d gone on studying they might have broken up. And so I get on the bus with my heart already pounding. Now if I don�t pass, I�ll put the blame on them: I�ll think of something and put the blame on them. I�ll tell them I didn�t want to take the exams that it�s better to give up now, instead of doing what my brother did.

And I think of my friends. They�ve all already found a job. Simon already has a car; it�s nothing special but he has one and girls are more attracted to him when he jingles the keys. From the bus I watch the people by the dead Triton fountain licking up the warm sun, and I feel even more pissed off. Then, as the bus starts to move, there by the fountain, I see Ruby, in skin-tight black trousers, a torn black top pinned together by safety-pins, and a black leather jacket covered in silver studs. Her hair is a riot of colours and filthy. A bottle of wine is glued to her mouth and the guy lolling on the ground next to her, is stroking her back.

I wave at her, she stares at me, she sees me, she keeps on staring.

She doesn�t recognize me. Instead, she puts the bottle to her lips again and falls back.


1991

Beaming with happiness, in our togas and mortar-boards and with our degrees in our hands, Marthese and I pose next to the bedecked fountain for some hundred photos. And we have our photos taken together with every lecturer (professor) popping his chest out for the occasion.

Professor Grima shakes our hands.

�Congratulations, eh, congratulations; also because I�ve heard that you�ll soon tie the knot. Good luck!�

Marthese is even happier than I.

�There�s still a year to go, Profs.�

�Eh, a year goes by very quickly. Good luck!�

Before we leave to celebrate in Paceville. I look back at the Library and, God knows why, I think of those weeks in the garage, of the Rifffs singing Dance Music for Eighties Depression, and of Ruby�s pale blue eyes.I thought I�d totally forgotten my street companions. Because now I�m a scholar, and when they see me (very rarely) it confuses them. Sometimes I stop to chat with Simon, I ask him how he�s getting on, and he tells me that because of the two children he has to be very frugal and that his wife must take factory work home for them to cope. We mention all our friends in a litany, as with the saints; we mention them all, one by one, except for Ruby.


1995

Marthese finds out that throughout this last year, instead of going home after my night-shift, I have been going to Sandra�s. She�d seen us leaving hospital many a time and once she followed us.

�Do what you will, Joe. From today onwards speak to me only through my lawyer. I�d never have thought you could treat me so shabbily. What did you think? That I was blind? And what do you see in a mere crappy nurse? How can you look yourself in the face after sinking so low? Find a lawyer; I won�t speak to you anymore. Thank God we have no children. But I�ll tell you one thing: even if we did it would end this way. Don�t for one minute think that I would have stayed on because of the children.�

As soon as I sign all the papers necessary for my separation at the lawyer�s, I go to Sandra�s, I tell her I�m renting an apartment in Birzebbuga and ask if she wants to move in with me. Sandra is thinking of settling down with someone, getting married and trying to forget our whole affair. She tells me this with tears in her light blue eyes and before I leave she tells me she is sorry for what she has done. I look at her and stroke her blonde hair gently, and I smile at her even though I feel like hitting her. After all it was she who made the first move on the day we were partying with gamma-hydroxybutyrate. And now she tells me she�s sorry, that she wants to settle down with someone decent (dependable, reliable?), because her time for adventuring is over, or should be over.

I am not a decent guy. I�m a bad guy.

The phone rings and I hear Simon ask for me. I hadn�t recognized him. He asks me to hurry to his place because his son is burning with fever. As I leave the house with the marble staircase which he has built in Naxxar Simon reminds me of his father�s garage. I think of Ruby and that the last time I saw her on my way out of hospital, was next to the Detox centre. He offers me a drink and I say I�m in a hurry.

�When you need me, Simon, don�t hesitate. There�s nothing wrong with him; a slight fever. There�s a virus going around which children catch. Don�t worry. But if you feel the need, don�t worry about phoning me, but don�t phone me anymore on that number because I�m moving.�

I�m a bad guy; I haven�t changed since that time of Fridays in the garage.

1999

After the night shift I come straight home; I put on the air-conditioner, wash and go straight to bed, to sleep. The sea might as well not exist for me. Definitely not in Birzebbuga. I can�t stand seeing those flocks of families with children screaming and licking their ice-creams, I can�t stand the dinosaurs in the free port. As soon as I wake I grab a book and start to read. Once a week a maid comes to clean each and every corner of the flat, and I watch her over the cover of my book. And I scrutinize her big golden bun and eyes like the clear sky. And I enjoy watching her blush and ducking her head when she catches me watching, exactly as she did when she told me she�d seen me on TV in a Friday evening programme, where I�d been invited to speak about menopause problems and the psychological crisis it brings with it. Sometimes I go out walking or I go to the gym to keep my body toned. Sometimes I go on sleeping and the maid wakes me with a persistent knock on the door, and when I see her glance at me with that shy look of hers, it makes me smile, and I want to take her in my arms and tell her lots of things which would surely embarrass her.


1999, December The Christmas tree lights flicker. In the background the children sing about the silent night which was to change the whole of history. On TV a documentary- warning about the Y2K and its threatening catastrophes. I hear the doorbell and I answer the intercom.

�Dr. Farrugia?�

�Yes?�

�How are you, Dr. Farrugia?�

�Who is it? I haven�t recognized you?�

�May we come up to speak to you?�

�I�m sorry. I don�t see patients at home.�

�No, no, it�s not about sickness we wish to speak to you. Or rather it is about sickness, but about the sickness of the soul.�

I frown.

�The sickness of the soul?�

�Do you mind letting us speak to you for a while?�

The woman�s voice over the intercom sounds persuasive enough to make me open the door downstairs. From my door I see a man and a woman, both in coats, carrying magazines. As they approach I realize that they are none other than the couple who recently came to the ground floor apartment, those who parked their Peugeot 206 so close to the door that it was difficult to get in properly, so that I was shocked that they had no consideration for their neighbour, considering the sticker stuck on the back �Let the Light of God Guide you�.

It is the woman who speaks.

�How are you, Dr Farrugia?�

�Not bad. However, I don�t have much time.�

�We won�t take up much of your time, don�t worry. We know that everybody is busy at this time.�

The man stands a step behind her and smiles as if he is incapable of looking serious.

�Well, tell me what you want.�

�We have come to speak a few words to you about the good news and the coming of Christ. We live in difficult times because of confusion all around us, especially at this time of the year and we forget the spirit, we forget that which is true and important for our spiritual health.�

�Look, let me tell you, madam, I�m a man of the world and I don�t have much time for these things. If you wish to have a drink because of the season, you�re very welcome, but I�m not interested in what you want to talk about.�

�I told you we want to speak to you about the sickness of the soul. You must never forget that your hour will come, and soon.�

�Madam, be patient, knock at my neighbour�s door, but leave me in peace. I�ve already told you I�m a man of the world.�

�That is why we have come to speak to you, Dr Farrugia. Because you were a man of the world and still are and we have come to save you.�

�Perhaps you don�t know what it means to be a man or woman of the world. You are good people, you have faith and so on. But not everybody is like you. You can�t understand what it�s like to be a man of the world. And now if you don�t mind�.�

�Of course I know what it�s like to be a woman of the world!�

The woman removes her big sunglasses which she always wears even on cloudy days, and two light blue eyes appear looking straight at me and smiling.

�Ruby!�

Ruby�s smile grows wider, but her face remains serious.

�How can it be?!�

�The ways of the Lord, Dr Farrugia, are strange, but they are many. Praise the Lord, Dr Farrugia, He has sent us purposely for us to help you find the hidden way which is ready for you.�


� Immanuel Mifsud
Reproduced with permission




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