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Cecilie has just agreed to marry her doting boyfriend, Joachim, when he is knocked down by a car. The car is driven by Marie (Paprika Steen) in the midst of an argument with her daughter, Stine. The prognosis is bad – Joachim’s neck and back have been broken, his spine crushed and it is certain that for the rest of his life he will be paralysed from the neck down. Marie is inconsolable, feeling responsible for ruining the young man’s life, and asks husband, Niels (who works at the hospital Joachim is in) to look after Cecilie. Cecilie is very vulnerable and needy. Not only has her glorious future been ruined in an instant, but Joachim, is taking his despair out on her, abusing her, telling her he doesn’t want to see her any more. She soon becomes dependent on Niels for support, phoning him at all times of the day and night, initially meeting at the hospital, then, unknown to Marie, at her flat. Niels quickly falls in love with the pretty, fragile 20 year old. It’s easy to continue their affair when his wife, Marie’s guilt makes her pander to the younger woman’s every whim, while she stays home dealing with angst-ridden teenage daughter, Stine (who blames herself for the accident, since it was her argument with her mother that caused it) and their two young sons. When Cecilie goes home from the hospital one day to discover the furniture gone under Joachim’s instruction, in a bid to make her finally get over him, Niels spends the family savings on a new settee, bed, and lamps for her. He gets so caught up in their faux house-building, he gets careless, and soon Stein finds out what’s going on and the shit really hits the fan. This is an excellent study of illicit love, emotional need and family breakdown, which is reminiscent of the work of Cassavetes or Woody Allen in his serious mode. Slightly disappointing that, as a DOGME film, it’s subject matter is so similar to the first of the series - ‘Breaking the Waves,’ with the young couple’s marriage plans/wedding being devastated when the man is crippled, and his subsequent rejection and cruelty to his lover. This film is much gentler in tone though, and rejects the big issues and relentlessness of Von Triers film for a more quiet, level study of longing and broken lives.
Despite the pain Niels knows he is inflicting on his family, the viewer feels great sympathy and empathy with him, both, because his feelings have grown out of compassion, rather than lust and due to the immense warmth and humanity director, Bier makes us feel for all the characters. She really does manage to elicit quite perfect performances from the stunning ensemble cast. Mikkelsen smoulders as the alluringly sensitive, Niels. Richter (Cecilie) brings an accomplished, delicate depth to her screen debut as the confused, young woman. Nikolaj Lie Kaas’s strong, proud features are perfect for the stubborn, inwardly raging Joachim. Paprika Steen (Marie) continues to get better and better, from her role in ‘Festen’ where I first saw her and it is good to see the character of the jilted wife being given such a strong, but sympathetic voice. Steen becomes each role effortlessly and has a similar modest power to the wonderful Stockard Channing. Susanne Bier’s extremely close-up photography - the camera seeming to caress the faces of the actors - gives a tangibly raw sense of intimacy and involvement with the characters. The pared down DOGME style also adds beautifully to the gritty realism of the piece. An utterly compelling, refreshingly simple and direct study of compassion, guilt and desire.
Laura Hird is the Orange and Whitbread nominated author of the collection, ‘Nail and Other Stories’ and novel, ‘Born Free.’ Her short stories have been published in numerous magazines and anthologies internationally. Her new collection of short stories is due to be published by Canongate Books in May 2005. She runs and edits her own loosely arts-related website on which she seeks out and publishes new poetry, short stories, reviews, interviews etc. She was born and lives in Edinburgh.
© 2004 Laura Hird All rights reserved.
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